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Monday, December 27, 2021

#267

Life is ever full of surprising blessings. Never would I have imagined that parting ways with a company over the ethics of my job the week of Christmas could be one of them, but it's such a classic trope that I find myself chuckling about it over and over. What a joke. 

Entirely my own decision anyway. Saw it as a definite probability when I took the job. That it should happen this week, under the circumstances that it had to happen under, is added layers to the joke of having to make so damn sure to myself of being right and doing the right thing that I would literally let myself be fired on purpose the week of Christmas just to prove a point. Just to be able to say that I tried everything and be honest. To prove I'm not a liar to liars to who do not give a fuck if I lie or tell the truth, I practically made them fire me, and they don't give a fuck Christmas or no Christmas and never have. Hilarious.

Anyway. Fuck all that nonsense. It's over. Kept my word and did what I thought and felt was right. If I feel like I could have or should have done more, that's my own weird brain problem. I went in at three in the morning at one point and stayed till three in the afternoon.

Last night I slept better than I have in months, maybe over a year. That shit was killing me, and only me. Let it be done.

For my part, I like Christmas and try to keep in my heart the year round. Happy to not be working this week. If the advantage of being an idiot is literally sleeping easier, I'll take it as a win.

*

Ok, so I wrote that first part six days ago, then shambled away from my monitor, loathing myself and the very concept of recording so-called human progress. 

Currently, today, the 27th of December, one full week after I lost my job, I am very close to doing the same thing, so that's that. Guess I'll bang out some sentences quick as I can while there's a degree of warmth in my blood.

Sleep continues to be better. I have typed that. It's sort of a sentence. Now I'm gonna take a shit, make more coffee, and smoke some weed. Maybe I'll finish this post after that.

*

Holy crap! It went just like I said it would. I took a shit and lived to type about it, which is great--you always hear and read about someone dying on the toilet because the process was in some way too much for their system that one time out of the many thousands, due to whatever circumstance. Every successful bowel movement is truly something to be grateful for. 

Christmas was pretty wonderful. Good to be with family. Good to have it be Christmas. I don't think so much about the birth of Christ as incident or general whatever come Christmas these days; I did as a child, of course, living in a culture that drilled the significance of the point home with a lot of emphasis--Christ was born. Later in the year, we discuss his death. Thus we remind you and give you to understand that all men live, and die, and in this particular case, live eternally after death, whatever that may be like, whatever that will be. 

What I think about these days is: there is birth, there is death, and there is Mystery, which our small lives witness and investigate but can never, individually, fully illuminate. In this dark universe, we all rely on light, which is what this celebration is all about; making a sacrifice of some kind to our hope that light will continue to shine. Light is God, and what is God in us is light. On this world of ours, we cast a light in the darkness, shining in our togetherness, in our apartness, in our joy and our despair. 

Been in something of a haze since being out of work. I felt extremely depressed about it, and everything. Feeling a little better, and this week I will try to get a job. Start with something I don't really care about, probably. Who knows, though.

Ok, I gotta make breakfast. Time to be done with this post and wait for the next one.

Peace on Earth, past Earth, beyond all limits


--JL

Monday, December 6, 2021

#266

Working on a project. If God wills it, I can finish another project or two as I plug away steadily at this project, and also meet the responsibilities and challenges of everyday life. Demanding, but doable. It requires of me a certain concentration and drive, under prevailing conditions which must be met, and that life shit is sure a lot. So who knows the time it will take. I will endeavor. Oh, how I will endeavor.

This does mean I cannot make any promises about posting in the blog too often, or much effort when I do. Always something somewhere has to give. This universe has laws about balance. Also it's extra hard because I want to play a lot of video games right now. This, like reading, aids me tremendously survival-wise, but takes time.

So there's that! It's December. I wish my job was to cook fancy soup all day for approximately twice what I make now, ten fewer hours per week. That's my wish. If I weren't such a fucking idiot in so many ways I would absolutely be doing that right now, but I am who I am instead. Woop woop. Bam!


--JL

Thursday, November 25, 2021

#265

Wonder if I ought to recover the twitter account I attached to the running of this blog, way back when. 'Twas only good for a couple hits a day, and twitter literally breaks my fragile mind, but it is ahead on page one google search of my actual author page on amazon, where my content lives. The top result on google relating to me and my activities is post number twenty-seven, where I mentioned Google+ and Blogger in the same sentence. Soon this post, too, will enjoy unwarranted spotlight action. Ha! 

Man, visiting twitter in order to inform this decision was like briskly rubbing a sheaf of sandpaper across my bare abdomen. One clean stripe of burning, unnecessary pain. I have said my piece about twitter in this text field, don't need to go over it all again. Some would say it would be hypocritical of me to even consider using twitter to garner readership or communicate ideas, given what I have said about their foul dark magics in the past.

In fact, I feel quite unfettered. Twitter's brand of petty evil is exactly the sort whose combat momentum is best thwarted by the gymnastic of hypocrisy. Of course, this gives one pause to wonder if that is not yet another level in the basement of their cruel and barbarous factory. Naturally, one does need a twitter account in order to criticize twitter on home turf, in order to win the hearts and minds of those afflicted by twitter most directly. 

The account does serve as the blog's alt text, which makes it an archive, and since it does already exist, and since I--wait. No. As information addict, as twitter addict, as completionist--all these truths about myself in their competition and complicity cried out together just now, and the answer must, can only be, no. That way lies madness and personal demise.

Last time I talked about twitter was that long, long Sinfest post, a post basically also about twitter, and way too much other shit. Drove across every goddamn lane I could in that post. Not sorry, but it was indeed something of an act of ridiculous lunacy, and the most exaggerated overtures in that direction were fueled by looking at twitter for all of five fucking minutes. Brain poison. The answer is no. Been sounding like an asshole up in here. No.

If only I could close that account. Such a thing, in this day and age, is impossible; moreso because I have forgotten and lost the relevant access data. So hey, this whole thing has been a total wash.

*

Read the title of the blog one more time, motherfuckers, and have a happy turkeygobble day; good day for shoving that turkeybird up in your gobblehole


--JL


*originally was going to write a post about something else entirely. I've forgotten what that was now twice as I loaded up the text field. Hmm. Well, it's nice to be here again. Always happy to be with you for even one moment more, dear reader. 

Oh! I was going to discuss how sometimes I feel as though the way the blog repeats itself and revisits certain topics again and again and again is in one way something of a failure, speaking in terms of pure creative fertility. Here in this text field I have been extremely disparaging of the Achewood man, the man of Achewood, for basically quitting the strip because he didn't want to plow any furrowed ground, and of course I am disparaging of him because I am of a similar bent in my nature. Aware that there is nothing new to be written here under the sun, nevertheless the compulsion is to offer freshness, dammit. Cooking requires base parts which, at the time you do something to them with the intent of transforming them into an ingredient, must be fresh. It doesn't matter if we are talking about a tomato, an idea, or the idea of a tomato; even the idea a tomato might have. What matters is the freshness of the ingredient, and of course what technique you apply to deliver the payload, which is flavor. Flavor is everything, everything, fucking everything.

Musically speaking: there are only eight notes. With eight notes we must make infinite multiverses of permutations. Repetition is integral to permutation, and without pattern, there is only meaninglessness, which is only interesting and valid in the context of that which has meaning. So, in the end, I have to say to myself whatever, I don't care if I repeat myself for seventy years. Who cares about playing the same song every day. Everything is in how the chord is played in this newly minted and never-before lived moment, the little improvisations, the age of the strings, the little variations in the pressure of the fingers and the stroke and tension of the arm. Do birds worry about repeating themselves? They sing every morning and maybe it's identical and maybe it's completely different each time, but at the day it's fuckin birdsong, which is what it is, and what more do you want.

What you do can be the same, but the way that you do it, who you are and what you bring, that's different every day like it or not, and being as aware of that and the necessity of that, the structure of arcs and loops and wheels and parallels that make up our lives except when it all comes crashing down around us, or when we leap off the rails and throw ourselves into formlessness that will either develop fresh structure out of itself or be our demise--that is what makes existing within the structure of repetitious fractals bearable and even majestic. 

Yeah, whatever. Maybe I've said all this before, in so many ways. I think of posts I've written where I discuss helical structures diametrically opposing one another yet both essential to the superstructure of reality, of posts I wrote about the world being a forest, the universe as forest, of reality composed of infinite simultaneously disrupted and flawlessly perfect spheres, simultaneously homogenous in their perfection and representing spectra ranged between two poles. Or it's all the layers and angles of bismuth, levels and levels and spars and spars, regular and varied. Or everything being part of an infinite and infinitely expanding and collapsing crystal structure, irrationally perfect and not even real, but the only reality there is.

Again, whatever. So fucking what? Who gives a shit how long a scene is, to paraphrase David Lynch? I get off on writing that kind of shit. I get off on writing. As long as that's true, I'll churn out whatever weird crap I want and sell it by the pound.

All this by way of saying, apologies to the Achewood man for being a jerk to him (indirectly) about his choices. They are, of course, his own to make, as all our choices do be also.

Wednesday, November 24, 2021

#264

So, couple days before I wrote the last post I sent Factually Pointless vol. I off to print. So disgruntled and tired was I that the critical wherewithal to mention it was fully lacking, even up to this moment. And what does it matter? Not one particle of a fuck, dear reader. Nil.

Anyway if you're one of those people that loves to pay for what they can have for free (barring footnotes, which does add that wonderful metatextuality that some readers [me] crave), click this here shit. It's not on my author page yet. Hope that happens soon? Publishing through a megacorporation that doesn't give a cold damn in winter about what you write (at least, I haven't run into any problems, and I use plenty of cuss words and wacky notions) grants a beautiful and heady freedom, but with freedom comes a near-total relinquishing of control that is the comfortable provender of traditional publishers. How could I ever possibly be empowered to make them do jack-all? I don't know, and I happen not to give a hot damn in summer, either. It's all just fucking words. Literal sex words, over as they happen. Here today, gone tomorrow. 

Fucking and writing: two things ostensibly done for the sake of posterity, of ennobling and significant continuity, but in actuality just done on the white-hot wire of the moment for the pure animal deep kick.

*

Poof. Vanished! 


--JL 

Sunday, November 21, 2021

#263

The sum of the digits of 11/21/2021 happens to be nine, and expressed as 11/21/21, the sum is seven, which makes this an extremely powerful day. Anyone turning nine this year may be in for a hell of a run around the calendar, one for the record books. A seventh son born on this day could very easily one day rule the shattered remnants of this suicidal planet, and raise it from its sad ashes. 

Of course the practicable significance of all this is zero. We will one day wake from all this ridiculous nonsense as though from a dark and distant dream.

*

Till then, whatever entertains us, even for a second! Amirite? Is not entertainment our true God, venerated in the one true Temple? Always think how entertainment is just entrainment with a twist.

If only we had the freedom to think about something else, do something, anything. But that would run counter to our training. We are at our most profitable when receiving programming, going from training to training, in actual pain when not being actively stimulated by familiar patterns, resolutions, endorphin packets.

*

Ok, whatever. Punchline goes here. Signing off. Russ Crowe in Gladiator meme. Right? Yes. Cool. Bye.


--JL

Sunday, November 14, 2021

#262

Jesus Christ. Look, I'm fucking depressed, I'm buying a house, my job has provided me with enough to deal with given a surplus three of me--between the four of us, I would have no problems except for the other two problems I just mentioned plus all the other problems. 

But problems are not the issue, dear reader! As you know, I strive to be a man of solutions.

*

Reason I ain't been posting is really that I have been working at a feverish pace (well, as feverish as that paragraph one bullshit has allowed for) on the first print collection of the blog. As you know, I am all about value for money, so I have been giving the process of annotating the hallowed words that have come before in this sacred text field all my available energies. It is hoped that the results will please.

Okay. I am also playing a lot of Super Smash Bros. Ultimate. Thank you. Goodbye.


--JL

Sunday, October 24, 2021

#261

Managed to live in the same town (or at the very least, in extreme proximity to the township) for a long time despite my mean, mean stature in society and its skyrocketing cost of housing and living. That's done and over with on short notice. The apartment complex where we live is crunching up the rent, and as the lowest rent we could get in this town, it was already too high. So it goes, eh? Those rascals! 

*

On this day in 2020, I got married. This is how our landlords see fit to congratulate us. It would be comical, without the stress of it all. You know I own a lot of books, right? We have stuff, much of it heavy, a good part acquired over the course of the last year. I didn't want to move any of this shit for at least another year. Whatever, though. Adapt or die.

*

The wedding was extremely private, the year 2020 being what it was. I dressed in green from toe to shoulder. He wore a yellow shirt, a denim jacket festooned with buttons, a long yellow skirt stitched with brown leaves, and black boots with neon-green laces. We both wore flowers in our hair, said our vows under an archway hung with flowers, spilling over with flowers, in a room crowded full flower arrangements and flower-based art installations. 

It's been a good year.

*

Well! May the Lord grant us fortitude.


--JL

Monday, October 18, 2021

#260

Remembered a moment. That moment filled me, filled me to the very brim with itself, with its redolent emotion. I was a pure clear vessel for the wine of my memory. I determined to make straight for the laptop to record this pure beam.

Literally two things happened--a cat moved and I turned my head--and I forgot what it was. Reeling slightly due to the vertiginous effects of blanking of that magnitude, but kind of amused, I did a few more things, then smoked half a joint just to seal the deal.

Hey, who gives a shit? I can write something else.

*

Life is too fucking hilarious. I leave you with nothing. Nothing is the greatest and most comical joke I could hope to tell, and I leave it with you, dear reader, so you may laugh at nothing with me. I fucking love you. We are going to die. STRAP IN YOU BEAUTIFUL GODDAMNED BASTARD WE ARE GOING TO

BREAK



ON





through.


--JL

Sunday, October 10, 2021

#259

Damn, so, hey, just wanted to pop on here to say that this new Tetris game that just dropped that got collaborated on by the Rez people and the Lumines people is the greatest thing that has happened to Tetris since 1985. I am experiencing the kind of deep, giddy joy that affects your breathing and makes your brain feel like it is literally squeezing itself to produce more endorphins.


Ok gonna go play the greatest form of Tetris ever produced thanks bye


--JL

Saturday, October 9, 2021

#258

It strikes that perhaps too regularly when I approach this space the result of the encounter is a failure to properly navigate the line between the management of alert, manifold cogency and the irreverence with which I am tempted to skewer and demean myself. Also a failure to manage the tension between my overbearing vanity and too-precious desire to sound clever, and my wish to be as honest as possible.

All of which is so stupid. I feel like such a fucking twit, sitting in the dirt with too-small pants riding up my calves, splaying each testicle onto a separate thigh. Drool running all the way down my chin and drying on my neck. Very proud of myself, big smile.

Not literally in that position as I type this. Just saying I feel like a total asshole sometimes. Guess we all do.

*

Let me just tell you a story. Let me just be done talking for a moment.

*

Cedar Point, the amusement park in Sandusky, Ohio, has been a destination in my life. I mean, that is what it's there for, its exact and stated purpose: a place to go to. For those times you need a place to take a bunch of middle school concert band students somewhere. Somewhere they can conduct themselves with dignity and comport themselves with grace, like a roller coaster pileup what gift kiosks do be sellin' rebel flag durags n' fried mars bars. Somewhere you are surrounded by men whose lifestyle's cumulative contribution to their frame and physique has rendered them unable to cover ground for more minutes than they need to rest in a day, though these men are typically not yet sixty.

We hearken back to that basically revolting and yet truly magical age of thirteen. We evoke a maladapted little atheist with spiked hair, caustic t-shirts, evilly rubber-banded braces, long drab cargo shorts, and two rows of homemade brujo beads hanging round my neck down to my groin. Only my black slip-on moccasins, slightly overlarge, and particular dysfunctions betrayed me as autistic. I played, of course, the trumpet.

*

Before noon I had already used one of the disposable cameras I used to like to bring everywhere to snap an incriminating picture of my buddy Red, and also a picture of an impressively-endowed classmate with her shirt up. The way I accomplished this was by feeling the impulse enter my mind and acting upon it without thinking: she was perhaps ten feet away, ahead of me and my boys in the line for the standing-up coaster. I called out to her to show me her tits, she did, and I took the photo without consent. There is no excuse for this behavior. Troubled youth. If I have not already paid for the balance in personal agony, may I continue to do so, amen.

Funny thing about this girl, a couple years later she pulled her shirt up at me again. I was already a different man, though, had already drunk deep from the shame of having done her like that in the first place, and turned my eyes away. This, of course, offended her profoundly, and also caused a wrestling teammate that was talking to me up till that moment pitch a fit at me like "motherfucker you crazy, that bitch is showing you her tiddies what the fuck is the matter?!?" Dude shoved me and everything. Thought I was gonna hafta deck'm with an elbow.

Couldn't explain it, really. Both occasions are founts of equal guilt and pain. Perhaps it's not such an amusing thing that of her own volition a teenaged girl would show her tits to a dude that once tricked her into same for no particular reason other than that he could. Perhaps it doesn't matter. And perhaps it does.

*

In line for the fast coaster (plenty of fast coasters at the park now, but back in the day, you'd know which coaster I meant), me and the boys were very naturally horsing around. No real mayhem, just mocking grins at all and sundry, the kind of fidgeting that isn't nervous but rather makes other people nervous, and laughing raucously at inside jokes and Monty Python quotes. Just being little assholes, you know? 

To make a long story short, there was this super hot chick further back in the line. She was the most beautiful girl I had ever seen in my entire life up to that point, and it is easy for me to remember that this was so because it was by such a ridiculous, such a painful margin; seven times hotter than anyone I could think of or remember. I think she contributed to how long it took me to come around to actually having sex. If I had waited for real for a chick as hot as her to give it up to, I would have stayed virgin till I was twenty-six. This was a thirteen-year girl, a flesh-and-blood occurrence of the mysterious stranger of lore that pops up in people's lifetimes. Like the loveliest cicada imaginable.

Shan't bother to describe her. You've either seen a thirteen-year individual or you haven't; if you have, there is no purpose in wasting words, and if you haven't, understand that looks as describable are barely a part of this, and understand that in this matter, words are a waste. You, too, may be someone's mysterious stranger, showing up in a beam of light before their eyes, representing a great axis in their lives.

As I say, thirteen years after this little story, I consummated the cycle and fucked the next thirteen-year girl I saw. She deserves her own post and she shall have it, but I will say this: I didn't flirt with a single customer the entire five years I worked at this remanufactured automotive parts outlet except for her (I'm not in any case a flirter, really; don't have the ear or the tongue or the type of patience for it), I knew I was gonna fuck her the moment she walked through the door, and I let it happen without giving it too much thought. You can't. With a mysterious stranger, you're either gonna pretty damn soon or right then and there or not for a long time or maybe ever, decided essentially in the first few instants of the juncture. 

So, when we noticed this girl, the boys just about shit their pants. They regressed about five years at a leap and shoved their hands in their pockets as the blood ran away from their faces, an ashen hush collapsing their voices and deflating their auras. I don't blame them. We were confident enough amongst ourselves, but it's not like we were the coolest cats in town. Remember, Monty Python quotes. Braces. We thought doing a real good professional German accent and a real good British accent back to back, playing with the stereotypes, was a total crackup. We still spoke of Space Camp sometimes, with a wistful gleam in our eyes.

Me, much as it would go thirteen years later, I looked into her eyes and I knew that I could get it done if I wanted to. That day, that very blessed hour. Unless she just wanted to hop the line and thought the naïveté of this gaggle of twerps was a good safe bet. Don't think so, though. So maybe her bet was on this twerp (me) possessing delusions towards the sigma male posture. Maybe. But I doubt it. This was sustained eye-contact, actual-flavor-on-the-tongue real come-on as in come on, boy, come get this, I have it and you see that I have it and I want to give it to you. I remember the shape and color of her eyes like no time has passed at all because she drilled them into mine with no doubts at all. And what eyes.

Problem is, I was thirteen, and plain weird. Now, I've known guys to turn in their v-card on just such an occasion, no other consideration in the world at all in their minds, just going for it. They are everywhere in literature. I remember reading an article the year before this tale took place in Men's Healf Maggrozeen about a sex addict who turned in his v-card at twelve in a tunnel on a playground and spent the rest of his life as the type of dude who, in his own words, would chew through a brick wall if he knew there was pussy on the other side of it. But I'm a dude who, first, values loyalty and doesn't like to set people up to have their feelings hurt needlessly (I might be extremely good at hurting feelings both intentionally and through many unflattering varieties of fuckup, but I really don't like to), and second, values his independence. I am, by and large, a dude of discipline and behavioral rigor. I value honor, justice, freedom, courage, wisdom, prudence, and honesty. I also love to fuck, drink hard, and smoke like a chimney. These, and intellectual arrogance, comprise my Achilles heels and the foundations of my hubris and death-drives. Known all that pretty much since I was a kid. 

Therefore much as I could already feel my feet shucking the pointless line, leaving my dudes castrated and abandoned (really not good for their psychology and a profoundly bad look on me), taking her by the hand literally without saying a word over to the Ferris wheel, and finding out what the songs are all about, I did not do this thing. So it goes.

Stayed in line with the fellas like a brother ought. Yes, I looked at that girl: I feasted my eyes and I told her I was sorry though mine as best as I could. Yes, I stood up straight shoulders squared chest out gut tight, and let her see me smile, because she was curving herself and setting herself up some angles and letting me see her smile. Yes, there were moments, many, when the intensity even got turned up, and it is hard to describe honestly and not sound like a bullshitter, but if you've been there, then you know: moments when that girl and me were all alone in that line, when it was quiet because there was, in those moments, no Sandusky, no Ohio, no cut-rate amusement park, no line, no time. Just the sunlight falling on two humans, the sound of the ocean in their ears the one and only sound, the maybe, the beckoning, the holding of the peace, the yes and the no at the same time. 

Yes, I looked at that girl. And she looked at me.

But I kept joking with my boys, got 'em laughing, got 'em pumped and grinning and full of themselves and psyched for the roller coaster. Reminded myself about brick-wall-pussy dude and made other memories; like this older dude with a big gray grizzled ponytail under a trucker hat wearing a sleeveless t-shirt and sporting on his upper arm the absolute hugest, longest, most out-there fuckin mole I have ever seen, and let me tell you the best part: this mole had a long gray ponytail too. Never saw another like it. A mole that impressive, on display? Rarer than a thirteen-year girl. Never seen its like before or since, not even on an old man's pate.

A gem. Really, truly, you don't stand in a line like this every day.

*

That's the tale, folks. Hope to do more stuff like this, through the end of this year. Yet, who knows?

Peace,


--JL

Tuesday, October 5, 2021

#257

"Say lahh vee," my husband likes to say. And indeed, that is life. What is known as a truism or given, and might more precisely be called a tautology, or, my favorite, a worthlessly complete truth. Anyhow, whatever you say or feel about it, así es la vida. 

*

If I say "that's how life is," how can I be lying? If I am saying it right after someone says something that is not true about life. And yet, whether I acknowledge it or not, even whether I know it or not, I am still telling the truth. That is how durable, and pointless, the truth-power of the tautology is. All lies become true. Every absurdity in the universe thoroughly commonplace--to be expected as a matter of course as soon as it happens and perhaps beforehand, no matter the content or context. Such is the perfect suspension of disbelief at the heart of the universe as it watches itself unfold.

*

What the fuck? lmao


--JL 

Sunday, October 3, 2021

#256

Hm. So I got a bit tired of my own output, as I do, and have been working on slightly different breed of post. Not tossing it all off in one go, even though working long-term on a single post kinda messed me up a little last time I did it, which was already breaking the rules. Just, it was refreshing for awhile to return to the short, immediate blast. But, this is, in the end, an autobiographical blog, and though it does count--matter--qualify--earn points--whatever--to talk about what I have read since the last time I posted about what I read (which, yes, I will be doing in this post), I feel the endeavor also requires the occasional substantial longer-form tale about or around me. 

There'll be more explaining in the post itself. This isn't that post. Worked on that one for a bit but also want to do this. Don't even know what this is yet, though.

*

Oh! Of course I have also been very busy, too busy, being the big department boss. Good experience so far. Learning loads.

*

Anyway all I really have right now is the stuff I've been reading and watching, and perhaps the odd thought about that. My bandwidth is crunched, and that is simply that, as they say. Maybe I'll come up with something to finish strong on, who knows.

Since I last mentioned the topic--quite some silence ago now, it feels--these are the things I have read, played, and looked at. To unburden myself of any kind of strain at all beyond the minimum, I shall list them in no particular order.

A General History of Quadrupeds, by Thomas Bewick, figures engraved on wood by same, newly introduced by Yann Martel. A book of exquisite interest and beauty. I loved reading it and looking at it so much.

Billy Summers, by Stephen King. The dude still plays for fucking keeps. Amazing book. I'm not saying anything else about it except that perhaps the truth is stranger and more brutal than even the most brilliant and cutting fiction is allowed to or even could be.

Godzilla, by Stephen Molstad, a novelization of the critically shat-upon U.S. film Godzilla, directed by Roland Emmerich and co-written between him and Dean Devlin. I grabbed this at a thrift store in the northern part of the state along with many other books* and reread it eagerly. Or thought I did! The novelization of Godzilla that I read as a kid was actually Godzilla: A Novelization, by H.B Gilmour. Of these three pieces of media I will say that the superior iteration has to be the H.B. Gilmour mid-grade novel, but I very much like all three. Admittedly fraught, mismanaged, and bastardizing of itself, the '98 American foray into the mightiest of kaiju properties is comprised of underrated efforts nevertheless.

Jurassic Park and The Lost World, by Michael Crichton. I have lost track of how many times I have read these scientifically imprecise and technically outdated books, and still to this day I learn from them and am delighted by them on the reread, and am more amazed at their depth, prescience, truthfulness, and philosophical acumen. They are, for me, emblematic of what makes a classic. They are among my personally iconic duos.

Hound of the Far SideThe Far Side Observer, and The Far Side Gallery 2, by Gary Larson. Speaking of classics.

What Makes You Think You're Happy? a "Peanuts Parade Book" by Charles M. Schultz. A slim but lavishly tall and wide printing of a noble run of older Peanuts strips. The classicism appears to be relentless.

Only Yesterday, by Frederick Lewis Allen. An illuminating, incisive little history of the 1920's, written early in the thirties of that same momentously recent century, scoping the United States of America by the stats, the fads, the scandals and the dramas on the global and the individual level. Certainly a lot to think about from a timely little tome. It is the twenties, after all, and the parallels can really make one smirk and wince.  

Probably a few other comics and a book or two I'm missing. But you know, it's very difficult at the moment for me to try and grasp a reality in which that might matter.

*

Notable recent watchings of photo film sequences include Lars Von Trier's The House That Jack Built, a work of art I do not feel called upon to comment on at the moment, and perhaps I never shall.

Also watched Pacific Rim. I guess I don't feel too compelled to blather about this movie either, but for very different reasons. It just sounds like a restaurant, you know? It's not a restaurant, though.

Kingsglaive: Final Fantasy XV was quite an achievement in many ways, though fails to grasp that magical touch Advent Children never lets go of. On its own, with no game under consideration, I feel this movie suffers badly from technology that overreaches slightly, taxes patience, and sometimes actively sucks, but ultimately rewards patience, triumphs emotionally, and excites cinematically. The hero's arc and what he has to say for himself are also interesting enough to think about closely, though I didn't believe so till very late in the game. Overall, worth required effort. 

The final installment, for the nonce, of Adventure Time: Distant LandsWizard City, was fabulous. 

Wallace and Gromit: The Curse of the Were-Rabbit, by the people who made the thing. Nick Park and the Aardman Animations. Steve Box or something. Peter Lord. The British. So good, so funny. Ralph Fiennes was in it. Ralph Fiennes is plus one thousand to everything he appears in.

More stuff, can't bear to think about it any more right now. While on the subject of the Queen's own England, though, might as well state that Ira and I have been absorbing the psyop that is The Great British Baking Show nightly. No defense.

*

Played Skyrim a lot. As one does.

Also this new game Eastward I have been very much looking forward to has dropped and I got it and it is undiluted joy. Pure goodness. Ship of the fleet in the lush, surprising, gorgeous "2D" renaissance currently underway. Seriously it is so fucking goddamned orgasmically beautiful and fun. 

To cap it off, Katamari Damancy: Rerolled and Star Wars: Republic Commando and Mario Kart 8 and dipping into whatever random fancy my Switch hides within its depths. The Metroid: Dread drop approaches with extreme swiftness, and that game must be played and beaten. Soon, apparently, I shall be able to play a host of Nintendo 64 games on my machine, much as I already have access to many OG Nintendo and Super Nintendo titles as long as I'm connected to internet. The future past is constantly almost here, and I don't give a fuck if I have to pay for it the rest of my life. I grin and laugh and caper with glee as the Nintendo-logo train speeds me towards my personal oblivion. 

*

This blog has been running for over three years now! This is the first post after the first collection cutoff**. The first post of the next three years. The first post of the rest of my life. G'bless, all. Happy to be typing.

*

Do no harm, some say. Let me just...breathe.


--JL


*only now do I realize how many books I have acquired without ever writing them down. I suppose at some point it would be perhaps all right to post pictures of the books. Not quite yet. A vastly improved percentage of the books are shelved these days; few piles remain, but it's not quite photographable yet.


**this did not turn out to be applicable; the book became unwieldy well before this point. 

Friday, August 20, 2021

#255

Finished Waiting For Godot. It was fucking good. Then I read this book Hunted by a man named William W. Johnstone. It was fucking terrible. I found my copy of Waiting For Godot in a free library. My grandfather-in-law gave me Hunted and its sequel, Prey, to borrow.

Suppose I were the sort of man who would think Waiting For Godot was terrible, and Hunted good. I might not be that different of a man, all things considered. I think that is probably likely. But the aesthetics of me would probably be radically different, so different as to create a real difference, a gap, between this imaginary me and myself. And certainly, this gap might be very notable, even multiplied in aspect, when it comes to this blog. Different books, different stories, a variant set of purposes in mind, no doubt. It's something of a thought.

By which I partially mean of course that Hunted was fairly outside of my usual fare in a couple of key ways. I suppose my power fantasies trend differently.

*

Reading Never Cry Wolf by Farley Mowat and Samuel Beckett's collected poems in English and French as a breather before I read Prey. Yes, I thought Hunted sucked, even to the point of anger and disgust, but that doesn't mean I didn't find much that was valuable, humorous, and interesting within its pages. Also there is so much to learn from bad writing and opinions diametrically opposed to your own. Also I gotta tell the old man what I think because that's just how I am, I guess, which also means I gotta read both books and think about them honestly. 

After that, who knows?

*

Took a promotion at my job. Salary! Wow. My income has doubled, which is significant with the added bonus of creating absolutely zero class guilt. It's about as small as salaries get. Slightly less than the lower end of what a teacher makes.

Indeed, eating food that won't poison you and the shaping of young minds. Menial shit. Hey, at least we make twice what the janitors and dishwashers make, or even a shade more. So that's awesome, because our jobs are impossible without them. 

I want to be clear about my tone. These facts upset me.

Still. Movin' on up, they say. I don't disagree. T'was good to just go to the fancy supermarket and get what I wanted without feeling tightness in my chest.


--JL

Thursday, August 12, 2021

#254

The main problem of a public diarist, or at any rate, this public diarist (me) is that the past is more vital and pressing than the present in many ways, but we all know it does little good to dwell on the past. Nevertheless, I do anyway, and suffer from hemorrhoids accordingly. We all have our personal regrettable effects with implacable causes. However, I try not to focus on the past as much as wont, so often prefer to write about something relevant, if not topical. 

Another snag in the execution of this succession of formerly blank text fields is that one is supposed to write about oneself. Perhaps this seems easily resolved by pointing out that one writes about oneself even if one is simply setting out to describe the weather, just as it is impossible for a painter not to tell you a certain amount about themselves from the way they execute a portrait, or choose colors for a meadow. Not so fast! It is also very possible to lie about oneself this way, and be believed, even internally--oh, how many times has the actor confused qualities illustrated through the subject with qualities they possess!

Of course, art is always in a sense striving past the creator and subject into something that transcends and compasses both. We can very well become the lies we tell, which may be an excellent thing or a very sad.

At any rate, in brief, it is a complicated, toilsome thing to be honest. It is difficult to talk about oneself completely and honestly, even trivially and honesty. I try to be honest in this space, which sometimes means even my most flippant, errant, ridiculous play-nonsense costs a certain emotional toil and is produced under conditions of rigor.

Did I mention I suffer from hemorrhoids? 

*

So, often, as a crutch, I resort to what I've been reading. What I have read, and what I mean to read. 

Well, it's happening again, right the fuck now. Strap in.

Finished The Magic Mountain, by Thomas Mann. Once again the universe has been metered and just in saving me for a book until precisely when I am prepared to come to it. This book would have done me absolutely no good at all on the first readthrough even last year. War and Peace had to come first, as well as living through the last six years even up to this present moment. Even watching through Downton Abbey recently as I neared the book's conclusion--all part of a clockwork universe's planned and destined rollout, at least from my reading perspective. 

*

Ok gotta go peace


--JL


edit: I really did have to sprint out just before I was really ready to finish. All there was to say is that I have begun to read Waiting For Godot, by Thomas Beckett. 

Saturday, July 31, 2021

#253

Maybe it's because it's the act of opening the laptop is like the act of falling asleep and entering a repetitive dream state (a fact we would all do very very well to try and remember at all times), but the first thing that comes into my mind these days when I approach the blank text field has to do with webcomics.

It's because I hop online and look at comics first thing most mornings these days. Ain't actually real complicated. Pavlov. 

Apropos of nothing, I love the way Daffy Duck says "por favor". Such a blend of the refined and the ridiculous. The pronunciation is good, too. Mel Blanc was outrageously fucking classic.

*

This is how it's done.


--JL


Sunday, July 25, 2021

#252

So, the thing with the "fuck you, politician/political party/outgroup/ingroup/concept" stickers to put on your car. Really, any loyalty to a culture of strife and division. It honestly baffles me that it still works. We are in the twenties. The two thousand and twenties, though! How, how, how in the FUCK does this Woodrow Wilson vs. Teddy Roosevelt shit still reign supreme? 

Internet has been mainstream for around twenty-five years now. I learned to use the freaking internet in the second grade. How, in the last quarter-century, have we not learned that paying money for a physical symbol of your allegiance to a mass-media driven concept is completely and utterly without sense? 

Can it truly be possible that the ability for so many humans to look up enough information to illuminate to each and every one of them that we are one single family and just a very few of us abuse most of the rest of us into thinking that we are not--is good for absolutely nothing? Because we just won't do it? Because we don't want to?

Is it possible that we cannot function without feeling that we are part of a good team, and that there can be no good team without a bad team, and therefore, if there is no bad team, why, one will have to be invented? And if there are teams, must there not be symbols, and colors, and objects to buy, and spectacles, and winners and losers at sufficient intervals to remind us that we are winning, or losing, and must keep winning, or win again? Eternally?

*

So, the thing with the meme of sounding well-informed.

The condescending, formulaic style of prattle that the mediocre and relatively seasoned rely on in order to convince the naive, the fresh-faced, and the gullible that they speak with authority derived from a superior level of intelligence and pedagogic achievement has developed to the point that the sons of a bitches that avail themselves of this wretched sophistry can watch fifty yooootooobb videos made by laughable charlatans and not only think themselves a didactic maverick, but cannot conceive of any information that complexifies or contradicts or recontextualizes the content of their crash course at yooootoooobb university as being processable, let alone digestible. 

Placing your intellectual premiums into sounding well-informed instead of learning to deeply research and read widely will literally kill your ability to think. It will destroy your ability to understand modes of thought outside of your particular meme web. It will trap you on little islands of specified information that you cannot depart from, with no way to swim anywhere else.

Hope being able to repeat a bunch of shit that an asshole himself repeated after "reading" it on the internet because another fucker "read" part of a book and thought to reconstitute it for the online cred is extremely cool and worth it to somebody. Hope that shit isn't in any way garbled, or otherwise compromised.

*

In the end, who gives fuck. What actual, ethical use does most of our knowledge actually end up getting put to? I wonder sometimes if any beyond basic tool use and enough words to tell a story about why the sun comes up and rains fall from the sky. Maybe we didn't need to get much further than learning to fish from a little boat.

*

This has been my modern H.L. Mencken impression, thank you


--JL

Friday, July 23, 2021

#251

If a human being makes an honest attempt at formulating their decisions with an eye towards eliminating hypocrisy in their existential process, they will find their field of action severely limited. Depending on a variety of contexts, and depending also on the individual's ability to detect manifold contradictions, this may even mean that no action is possible, ever, anywhere. 

Similar is the human being who attempts to speak the truth, the whole truth, and nothing but the truth. A lifetime defined by silence, broken only by the most pitiful banality and gross utility.

Ethics: the art of saying and doing as little as possible. 

Morality: the art of civilization; the best lie, the greatest hypocrisy.

*

Can't stop yourself from drawing breath, can't command your internal homeostasis to just halt, your heart muscles do how they do, you piss and shit, you answer to what you're answerable for.

Who is "good"? Who is "bad"? Jesus Christ, was a question ever so fundamentally beside the point? No one knows what they're doing. No one knows what they do. 

You literally cannot describe even a tiny part of reality without lying. In its distortion of Truth, every truth is a lie.

You literally cannot exist for a single second without killing, without snatching resources from others who need them just as much as you do, and every lie you make up to justify or obscure this truth is hypocrisy and the root of more hypocrisy.

*

Let us strike this bargain with ourselves, I say, incorporating a hypothetical in order to feel less alone: ethics are personal, subjective, inviolate and complete unto the singular, but inevitably and mainly rely on and are deviled by compromise with morality, the public ethic, the inherited good, the perceived health of that thing, society, on which our luxury to consider our ethics and the basis for discarding them both rest equally.

*

The whole thing really is profoundly fucking stupid, and we all have to pay for the right to exist to boot. So whatever, fuck me up, see if I give a damn. As an act of faith, as a singular and personal choice, I do my best to hew to what I think is right and honest, and even though there is no good or truth, I hold myself answerable to my understanding of the concepts and accept their problems thereby; answerable to my own idealized social contract, to a purely theoretical, even fantastical society: a kingdom of heaven. 

Existence is a dark glass house, a palace of horrors and wonders--all illusions. We won't see the actual color of the light, or what is really being illuminated, until we step outside. Or further in.



--JL

Friday, July 16, 2021

#250

Post two hundred and fifty! Hella. Guess at this point I should think about an annotated collection. If I start now I can publish on the third anniversary! What a nerd move that would be.

*

Indeed, though. My fourth book, a double-feature consisting of my first play (discussed long ago, in the blog's early days) and a collection of hybrid thought experiments/conceptual ghost stories, should be forthcoming with a swiftness that surprises me (even though it's technically taken seven years to write, these last stages seem to be going by pretty fast). Then on the third anniversary of the blog I plan to reissue the first two books, make a book out of the blog's posts up to that point (which I guess I really should get started on knocking into shape) and announce my plans for the fifth book (maybe...a sixth?).

Hey! Parentheses!

*

Parenthetically. Great word. On the order of, say, perspicacity, or salubriousness.

Oh, and tintinnabulation. Perhaps proliferation. And automatization. 

*

All this boilerplate reminds me that I haven't linked to the first two books in years. Because of my surely famous and commonly-known computer problems, I somehow have two author pages on amazon dot com. It's a glaring security issue and I am begging for trouble, but also well-documented is my extreme laziness in doing anything about anything when it involves making phone calls or filling out any type of form. 

Anyhow, the first two books can be found here, and the third, here.

Buy them! Even if they suck, perhaps how they suck, and why, may serve you as a worthwhile talking point.

*

Three hundred pages into The Magic Mountain. There's like four hundred more! Kinda wish I could get through more of it at one time, but the book demands what it demands. Definitely it is having an effect. Definitely Thomas Mann had something on the ball, some brilliant stuff in there. Thinking of Aleksandr Solzhenitsyn's Cancer Ward, one of my favorites.

That last there, that was a technical parenthetical. But was it ethical?

*

It's raining here. The cats just ate and they're doing their cats that just ate things at various points around where I'm sitting in the middle of the floor with my laptop in front of me. My husband is asleep in a different room. Now I am going to make a second cup of coffee and read to the sound of the falling drops.


--JL

Saturday, July 10, 2021

#249

Just a day or two after tossing off the last post, my laptop's logic board fried. Or whatever.

Took it to the real estate inside my local mall which the megacompany specific to my laptop sells its lifestyle brand out of and gave it to a system proprietary to the company. Repair complete, it was sent back to the store, and I went to go fetch it.

For once, this type of occurrence did not result in a massive loss of work for me. Even got to keep the bookmarks in my web browser, which is nice. The webcomics folder has gained some robustness. 

*

These days, I need to find the bottom again, as far as comics are concerned. The webcomics that were edge as fuck when I was pubin' are basically print monsters now, an established section on an established reef in the regulated ecosystem--or constellation, if you prefer--of our shared capitalistic algorithm. I feel reasonably confident that I am reading a lot of great webcomics, legit and a credit to the medium. They are not yet to that legendary status of like a KC Green funkopop, but because of how the environment is, they sell merchandise and to some degree could be called semipro; they have their own small share of a small fluctuating market. This means that they compete to achieve a standard, and collectivize based on these standards. This requires a sophistication apart from the medium itself, a social and communicative skillset which sets a certain tone. I have no problem with this, and love many of these comics, but I crave further varieties. Varietals.  

I know of a couple of aggregator sites that let me trawl a vast number of new amateur work which could never hope to sell a pin or t-shirt now or in the past but may be even now creating very worthwhile work and polishing their way into proficiency. Many of these will never represent more than zooplankton in this food chain, but what of it? Many suck so bad I want to die. Even this is worthwhile. Diatomaceous offal, decomposing flesh, and any number of biological wastes are one and all essential parts of any complex food web.

*

But where the new gangsters truly chillin? I feel I don't know. Thus, a need to dive to greater depths. 

Anyway, ok, yes, good, my laptop is working. I have been very busy with a lot of things. I should build my own computer. Get into data hoarding.

*

Peace and love and pink lemonade, all


--JL

Sunday, June 27, 2021

#248

I think one of the funniest things about television is how if they interrupt the broadcast for something, they tell you directly and in no uncertain terms that they are returning you to a state of regularly scheduled programming. Who says the media lies to you?


--JL

Friday, June 25, 2021

#247

Well, I finished rereading Sinfest, right up to this day. What do I have to say? Well, I don't necessarily take back the concept that the comic is valuable public record. I would still rather read the archive than look at a comparable amount of NYT, but that's just me. The worst comics are better than any news. 

*

Sure, Sinfest has always had problems, famously so. For a while it seemed the author, Tatsuya Ishida, was trying to fix them. In fact, something else was happening, something I will see if I can explain and address in this post, endeavoring to be exhaustive; hence this post will be triggering if you've been here before. Also long.

Today we cover a lot of ground. I shall endeavor to marry as much precision to as much economy as I am able, but we will be here awhile, and I will be forced to ask every reader to meet me halfway as I race by massive points, each of which can and have generated enough debate to fill libraries. 

Hopefully I shall break no glass I have used to build my own house, and hopefully I can admit it when I have. 

Tatsuya Ishida, author of Sinfest, has clearly and in no uncertain terms embraced a system of thought which, at best, takes the position that trans people are victims of a post-modern deception. This is not to say that I think this is possible. According to this system, which brands itself as Radical Feminism, trans people do not exist, for to claim transness is to claim a relativistic position in a purely literal, organic context which is not reinterpretable. I don't think such contexts are legitimate.

According to the "radical" feminism promoted in Sinfest, the trans position is untenable no matter the form: transness as a corrosive meme implanted by bad actors, transness as pathology (interrelated with the memetic argument: the virality of it), transness as a political tool (admittedly, transness is as problematized, reduced, distorted, and manipulated as anything else which enters the political sphere and the news cycle; it is yet another way in which it proves it is as natural a human phenomenon as any other), and in total the possibility of any authentic experience of gender apart from sex, apart from or in contest with essential masculinity and maleness and essential femininity and femaleness. In order to be a feminist, in this school of thinking, one must destroy the roles of gender while enforcing sex as cause and gender as effect. The reproductive genital becomes the lone determinant, the fulcrum of sex and gender. One can do and be what one wishes, may fill any role, as long as one is a woman or a man.

It is, indeed, fully opposed to itself.

At worst, and as the logical consequence of the train of thought I have outlined above, radfems consider trans people a subhuman criminal class of only rapists who groom children through propaganda both to swell their ranks and satisfy their appetites, and seek political power for the same reasons, based on a selective sample of anecdotes involving a tiny minority of a tiny minority, exactly as a white man might make the error of considering every black man in America an uncivilizable ape that wants to rape his wife and help Jews take over the country. Of course, people are perfectly capable of occupying both these stances at once, or one and not the other, and/or a whole array of equally unhealthy and always contradictory impossibilities, and not think themselves violently deluded. 

I take exception to these stances, personally. All these sick, bloody-minded stances, indeed delusions, which are all one delusion, really--exchange the value of any number of variables, put the figures in any number of contexts, but the simple mathematics of this fundamental equation stays the same: 

"X equals I decide the truth and what is fair, and if you, Y, disagree with me, I can say and do whatever it takes to dominate your thinking, control your behavior, fuck your life up, even kill you if I can; socially through ostracizing or by taking your actual life myself, or through an empowered proxy. If you would kill and bury yourself after admitting I'm right, and living a profitable amount of time under what I have decided is fair, that would be best."

Exception taken also to all imaginable sophistry generated in the support and defense of this position, including any that overlap with my own ideas. Unequivocally. With some heat. Heat tripled when X is already incorporated into the safe end of dominant social paradigms and Y isn't, and is outnumbered by X one hundred to one.

*

Therefore I must take exception to Sinfest, a comic not even brave enough to come out and say "I hate trans people, fuckem, that's just me. That's what being a radical feminist means. Lesbians are great (for me), and gays are fine (I am told). Men are men, women are women, only men have penises and only women have vaginas, and every other expression of gender is some fake psyop shit made up by pedophiles to fuck with children. Amirite ladies? Am I a good guy or what? Please don't yell at me, please tell each other in your secret woman councils that I am good and not evil, despite my blatantly misogynistic past. I like white people, I am not a screaming monkey, I am a good and fully westernized Jesus boy who hates the devil. Will a WASP woman finally fuck me or what?"

Well, it is exactly what Tatsuya Ishida has ultimately ended up saying, but it's not what he's been pretending to say.

No. He has to make a coward's comic about how a only a pomo* zombie would believe that a hot dog is a taco, but too gutless to come out and say that trans people don't exist. It's a whole archive of shit like that. Brave enough to put a sign reading "TRANSPHOBE" in the hand of someone in a crowd of woke zombies (and like, I'm with you! go to hell, woke zombies) trashing and threatening a lone girl, but too gutless to come out and say shit like "cisgender" and "transphobe" is a slur on the level of the n-word. Brave enough to play with and appropriate drag culture, but too cowardly to give a single, barely-utilized gay character a single trait to distinguish him from a laundry list of stereotypes. Brave enough to express regret over drawing a joke like the Blaxploitation Funk Bible, but too much of a wuss to have a black character generate an original line of dialogue or a recurring role beyond bolstering the author's progressive credentials--four strips about police killing unarmed black men, token black man storyline, infantilized black girl moral compass, Barack Obama caricatures--I swear, the comic was less racist when it was racist. Brave enough to say that you should quit using porn and paying for sex--to harp on it for years--but too cowardly to say even once that you shouldn't rape, to even use the phrase rape culture--in a comic where there is ALWAYS a pimp around, ALWAYS a bunch of prostitutes around. A couple of #MeToo strips, literally just two, for all the measurable worth such an artifact could vouch for. I guess he thought it would have looked weird if he just completely ignored it. 

All this time, about ten years out of the twenty of the comic's run, screaming about respecting women, liberating women, and the man still draws ten sluts a week in his comic. Every devil girl that was ever a devil girl is still a devil girl. The women of the resistance are primarily infantilized caricatures whose antics never change a thing. Witch culture played with like a toy, played with to be seen playing with it. Frankly, all expressions of femininity, and all the feminine values discussed in the comic, do nothing except serve the creator's interests in one form or another, existing in whatever limbos they are doomed to at his pleasure and at his service--he pimps them out, you might say--and this applies to the comic's entire run, from Monique's first appearance to the whole female cast today.

*

My computer troubles and many other considerations upon my time meant I hadn't caught up with Sinfest since about 2016, so that's a whole presidency I got to read brand-new for the first time. I didn't expect things to look the way they did to me once I got to 2016, and I didn't have any expectations for what I would find as I moved forwards, but indeed, from 2016 onwards, it just gets ridiculous. I've read Sinfest from scratch plenty of times before, but once you see it, the full scope of the run with the benefit of the full two decades, it is fucking transparent. You know what else is transparent? None of the dudes ever change. The asshole dudes are the same asshole dudes. 

Hey. Pay close fucking attention. In the webcomic Sinfest, by Tatsuya Ishida, none of the dudes ever change. 

The main male protagonist has not been written out, doesn't know how to behave like a human being and can't seem to grasp why anyone really would behave like a human being, and still exploits women. In his work, and in secret behavior, Slick continues to degrade and hate women. Like, hate them.

Slick.

Do you get it? It's not a complicated work of art. The red herrings, like the author's actual self-insertion, lose their power over a long enough time period. His presence in his own comic is false; Slick's is real. Slick's public face is canonically inauthentic; his shadow self is authentic, and stronger than him. You don't need a big deconstructive analysis.

These fucking dudes can't even quit jacking it to porn, which like, I don't give too much of a fuck. I used porn like crazy the whole time I was a teenager, and sparingly for old time's sake into my early twenties. Porn is, in my opinion, mostly sad and criminal shit, and no one really needs it, but some people draw porn that isn't like that, and there is porn by women for women (which remains problematic in my opinion, but at least no one is getting a cumshot washed off them in a used toilet), and frankly we have worse problems in this life. But Tatsuya pretends to give a fuck. And yet! The man is at least twelve years older than me, and still this rigmarole with the porn. 

How bout a tip? Why don't you just watch some like, extremely hardcore gay porn, like an Irish bodybuilder and an Ethiopian bodybuilder taking turns pounding each other's tight muscular asses as hard as they can with their thick nine-inchers until what you're looking at is nothing but boring flesh and you start thinking about chores you could be doing. Why don't you look at some penile mutilation porn compilations until you throw up. Oh, are these not your thing? Did you forget that not only women exist in porn? Or are you fully aware and that's not really the point?

Why don't you do literally anything other than think about, look at, or make comics about porn. You massive dork-wad.

*

It's a massive disappointment. Sad shit, man. Having read this comic since I was a twelve-year old kid, as a grown man I'm here to tell you that I held out hope and held my judgment back for years and years, but at the end of the day Sinfest has been self-serving, false-ass bullshit. 

So the point, the reason I am even bothering to say anything instead of rolling my eyes and getting right along with my life, is that it's not just that Sinfest sucks. If it was just that, who would give a fuck? Not me. It used to suck honestly, and I could laugh at how bad and ridiculous those pr0n-loving, unlaid morons could be, un-self-aware and hopeless. Later I could hope that the feminism could grow into something truly revolutionary and the characters would enter stages of growth that would change their world. It never did, but that's no sin. Comics don't have to deliver correct discourse or be cancelled for their failure to do so, don't have to be morally correct on all points. Art doesn't have to be those things, can't be those things really. 

No revolution has ever delivered the revolution it promised at the outset. The wheel mostly just turns, and that's fine or not fine, but there can't really be any justified blame for it. The wheel turns, the river flows, the world spins. 

However, Sinfest is used as a tool and a vehicle, and because of what that tool can be used for and what it is visibly being used for, because of what is being delivered in that vehicle, an interpretation does have to be laid out in order to bring that payload to light.

Problem is, Tatsuya Ishida is not a feminist and has never been a feminist, didn't perform a heel turn from being a misogynist to a being a feminist and then turn again into radical feminism--or there is the possibility that he did exactly that but is in fact nothing, and all of Sinfest is exactly as is professional wrestling: a trick by an actor. 

Either way, to endorse or champion his art as feminist is to be duped. What is actually happening here is that a dude who hates women has spent half his career trying his damnedest to get away with seeming like he's one of the good guys, safe and trying and different than he was, different than the bad men. He made his comic unpalatable to the idiots who actually loved the misogyny taken literally, which seemed great, but he turned them into a strawman to beat and be beaten by, as the occasion best served, for a decade-plus, all while championing a "resistance" that neither resisted nor revolutionized--because it is not equipped to do so, by the author's own design--and maintaining the essentials of his comic completely unchanged, undisturbed--examined, tweaked, repainted, rebranded, but in their fundamentals, just the same. 

You can bullshit a lot in front of me and not hear me comment, but that crap is really too far.

*

At one point in Tatsuya Ishida's such feminism comic, a male character asks a female character how he can be fight misogyny and be an ally. She tells him that in order to fight the patriarchy, he must support women, read radical feminism, and destroy the porn and prostitution industries. And that really is it! Hilarious.

Last Sunday strip, critical race theory was likened to coca-cola. Coca-cola is beneath trash, the worst thing that has ever happened to America and maybe to the world, as anyone with any presence of mind knows and understands. But wait, what, you're not into that shit, Tat? But all you have to do in order to not be racist and be a good ally is support people of color, read critical race theory, and destroy white supremacy! Double hilarious?

Ah, but you're into white supremacists these days, I guess. I guess, indeed, rustbelt and flyover whites are the true and only victims of our unjust society. 2021 revealed to you, somehow, that they're the actual authentic Christians around here, the maligned and the misunderstood, the demonized and brutalized, the beaten down and bloodied hope of the West. Which you're suddenly all about! That's kinda new and weird. 

One feels all in all that in the end this is because there's cultural credit to be gained with the subset of that demographic, and others, which agree with you that we should beat the gay right out of our kids before they turn into filthy trannies or lunatic queers, and that if we fail in this, those children should be disowned, banished, relegated to the lowest possible positions in society, even murdered. So they're the new heroes of Sinfest. We threw our socialism (lmao) hat in the trash. The true revolution (lmao) is in embracing tradition.

And I really am laughing, motherfucker! Who the fuck are you? Are you even, were you ever, real?

*

I am not trying to say that poor white people are evil, and automatically white supremacists. I am not trying to defend rhetoric that dehumanizes poor white people even when they are white supremacists. It's all the same trick, and I'm not against people who are tricked, do not advocate for punishing tricked people. I'm against the trick. This may sound a lot like a different formula, regarding sin. Well, the big thing with sin is that it is propagated by a great Deceiver, no?

Look man. If it's all the same bullshit, don't pick sides. I thought you understood that. Soon as you pick a side, you're on the wrong fucking side. Hate gay people, hate trans people, hate blacks all you want. You don't have to get on a team about it; nor do you don't have to pretend that you love everybody. I'm not asking you to cut a long deep line down the length of your face and bleed and scar for the Rape of Nanking just because you're Japanese. You don't have to suck black dick beneath a pink skirt to prove you have an open mind--it's ok to be straight, it's ok to be racist, you can stay being straight and racist, hate gays and blacks as much as you feel. Maybe you spend too much time on internet if you've been convinced otherwise. 

Literally all you have to do is not fuck with people. Literally! You can choke on a big white salty hot load of your own hate, knock yourself the fuck out with the hard throbbing mallet of your own hate, marry a hateful bitch and sit down every evening for the rest of your lives just to get a good strong hate going, just don't fuck with people.

Hate me all day. It will not affect how many baskets I make when I shoot hoops, the thoughts I have when I look at the sky, how my food tastes, anything. But if you fuck with me, I feel it. That shit interferes with me. That makes it so it's harder for me to think straight, get a job, be perceived as human, etc. 

There's making fun, there's making a statement, and there's fucking with people. And sometimes you gotta fuck with people--I am fucking with you, or at least trying--but then there's being cruel, and also, not knowing what the fuck you're saying.

You are increasingly cruel, you don't seem to know what you're saying, and believe it or not, you do possess certain powers in your fuckery which, consciously or not, give your fuckery the ability to affect people's lives.

I bet women have said something like this to you before. 

*

It is not feminism to maintain a population of victims for you to save or dispose of. That's not progress. That's farming. You know what farming is, in the context of human bodies, when the valuation of the bodies in centered on sex? I know I promised not to waste a lot of words, which is why when I repeat stuff, three times, I am saying, pay attention. So pay attention: that's not progress, or feminism, or learning, or virtue. That's pimping. To be clear, pimping is not feminist, or brave, or anything other than fucking disgusting. 

Almost every pimp I've ever known of, heard of, seen directly, or seen portrayed, has always pretended to love women. They kill, violate, brutalize, enslave them, and sell their parts and time and health away, but they love women. Love bitches. Love 'em. Why is it so important for such a creature to pretend he loves what he so clearly hates?

*

Nor is it feminism to repeat what what women tell you like a parrot in order to seem safe to women. That's being a dog, and a dog will sic what it's told to sic and love what it's told to love; tolerate what it is forced to tolerate. But such a creature, no longer strictly a dog but rather an organic tool, can also turn on its owner, and the world. Such a creature needs a leash; without one, it's nothing but a beast.

Men don't need to be on leashes. A man ought to be capable of being his own master. You shouldn't need to chain a man to a post. A dog may be another matter.

*

The role of feminism in your life cannot be to make you palatable to women. There is nothing any woman in the world owes you in exchange for the decency you treat them with, and treating women with decency is the only thinkable course of action. 

You understand? There's no extenuating circumstance that ever liberates you from that truth. 

*

It is not feminism to game your decency in order to reap any kind of reward. 

*

Feminism, like virtue, is a thing that if done in exchange, ceases to be. And like virtue, if used as a weapon, becomes something else entirely.

*

It is not feminism to tell women what their bodies mean, are, signify, whatever. Worry about the male body, if you're going to try to control someone's agency; at least you have a leg to stand on, since you call yourself a man.

However, you're gonna run into me, and I don't, won't and can't give a fuck what you say I should be or say or do because I'm my own man, and I decide what that means and how to express it. Try to stop me, and I won't let you. Try to do it around me, and I'll stop you like I would any other bully doing any other bully shit, with reason so far as possible, and forcibly if necessary. Dig it? No?

Too bad. Get on your knees and suck my dick about it, if you're angry. Beyond that, I have nothing for you. You know the rules: you wanna stop me, you better be smart enough to get at me and strong enough to kill me. Delicious, delicious male privilege. Savor the flavor.

No one decides for me what a man is. No one decides for you what a man is. If you want to be told, that's your affair. But you can't tell me. I decide for myself what it means to be a man. 

*

Feminism consists of two things and two things only, if you're a man: do your own work, and let women be themselves as complete agents wholly independent of you. All women! I don't give a fuck whether you agree with their lifestyles, ideas, or choices. That's none of your fucking business actually!

*

A man's work lies within himself, and right in front of him. His work compasses the world, as he is an intrinsic part of the song of life, the life of the world. And if there is something eternal in him, what we could call a soul, that too is his work.

So there's a lot of work for every man, each man to his own work. I think mostly we all agree on some form of this. How we hold each other to that as men, in cooperation and in conflict, and what world we build out of that dialogue, is essentially the main part of all our lives and the substrate of all the institutions and agreements we live by as men, as well as all the ways we cheat and change that in our vain efforts to control the consequences of our actions and the causes and effects of this world. In this, each man has a certain degree of freedom, and a certain degree of power, and a certain degree of responsibility.

*

So, bearing that in mind, back to being in relation to women: 

Indeed, respect women as you respect all life.

Keep women safe as you safeguard all life.

Use whatever powers and privileges you are blessed with in such ways as to give women space for themselves and opportunity to manage their affairs with autonomy.

Don't decide for women what their work is. Don't decide for a woman what is appropriate for a woman, or to a woman, or what if anything makes her less than other women (nothing does). Don't decide for women what a woman is. Leave that shit up to women. I understand: women may tell you contradictory things, one woman one thing, another woman another thing. God forbid women disagree; God forbid women not present a totally homogenous population of ideas and standards and boundaries for your ease of consumption! 

Don't decide what makes a woman valid. Can a woman make you valid? No. That is asinine. The validity of a man and the validity of a woman are inherent and equal traits. A woman can no more decide what you are for you than you can decide for her.

The relationship is only a relationship if there is balance. Friendship, love, work, art--balance. No balanced relationship is wholly unhealthy, and no imbalanced relationship can be very healthy. 

A man ought properly seek to have a balanced relationship with as much of the universe as he can reasonably grow into and maintain. 

*

The great misconception, the great driving lie, is that men control.

Slaves control. 

Men, free men, accept.

*

Check the latin on the word "accept". Check the etymology. Then remember that man is not needfully a gendered term; to be a man has meant in many senses to be a member of the human race, and women are decidedly human. The division between man and woman, man of paler skin and man of darker skin, man from the east and man from the west--these are distinctions that block man's ability to accept himself, distinctions made by the elite--men who through the blessings of good fortune and inheritance, and under the warping weight of responsibility over organization and debt (society), mistakenly believe that they are as gods--in order to make their organizations more profitable for themselves, in order to control. The elite are slaves, and it is their slavishness that creates so many of the problems in this world. Like a man who takes good care of his head and lets his feet go to hell. Well, eventually, that dude's back is gonna hurt him badly, and his feet will be as attached as they ever were.

Do you understand what I am saying. Slaves dominate, own, exert control. A free man accepts. Read some Tolstoy. Look at Jesus and the Buddha--you may remember them--they have benevolently appeared in your comic to some extent.

Man accepts.

*

What "radical" feminists are really talking about when they talk about trans people, trans women specifically, is rape. They are by definition adherents of the second wave of feminism (a regressive position, which I will detail), which in its modern form is defined by aversion/dominance responses to historical and persistent trauma. 

First-wave feminism reestablished basic humanity for women in political modernity (for certain women in certain countries). Once this was in place, it is natural that the most acute trauma and worst pressure over and on women be the crux, focus, and goad when it comes to the direction feminism ought to take, its position in society, and the position, definition, and role of woman in society. The movement, second-wave feminism, accomplished much for women and society in its time in terms of securing safety and opportunity for women as the century went on--indeed, to protect women from men that rape, dehumanize, and oppress women. 

Now that generation of feminism has been left behind by the discourse it elevated, through the freedoms it helped generate. Yet it has found consistent life in its historical continuity as the "original" feminist movement and its central precept: the memory and threat of penetrative rape, the segregation of the penetrative from the penetrable. The rhetoric amounts to this: men are defined as penetrators, defined again by their penetrating equipment, and women, defined as only-penetrable and womb-possessing. Patriarchal modes of social organization throughout history have demonstrated that the patriarchal experiment has run its course and failed, and a return to matriarchal modes of social organization is called for and politically desirable. This train of thought it culminates in a female elite, and cultural modes dominated by matriarchal organization. 

We switch places, problems solved. Naturally. 

Second-wave feminism, calling itself--still--radical, past, say, arbitrarily, 1990 or so, is the most slavish, confused, and concussed extant wave of feminism. Like dudes passionately desiring the return of monarchical rule in the year of our lord two thousand and twenty one. Though there is literally no radicality left in the position, every other stripe of feminist is afraid to call themselves radical, because they do not wish to be associated with these old gender-essentialist retrogrades. The truly radical elements of feminism had to be picked up and carried into the third wave, and there have been many since, as is the nature of progressing schools of psychosocial thought--once established, radicality is impossible, and the cutting edge moves on. Second wave feminism attempted to be more inclusive of all women (wonderful irony talking about it now) yet they failed by their own metrics for over twenty years. 

Indeed, working under this formula, women never rape women. This formula asserts that women cannot ever rape men. I suppose in a way that is something of a radical concept.

Can a father not rape his daughter? Some men believe that, believe that a daughter is property, and as property with sexual characteristics, it is his to sexualize as he sees fit. Do some mothers believe the same of their daughters?

I assert that it is so. I assert that fathers rape sons and daughters, sons rape fellow sons and daughters, mothers rape daughters and sons, and daughters rape fellow daughters and sons. These are things that happen, and it is all rape, and it is independent of patriarchy or matriarchy. Further, and logically, raped sons rape other men and other women. Further, and logically, raped women rape other women and other men. Many other kinds of traumas find their outlets libidinally, and it follows once more that traumatized people rape innocent people, that traumatized people rape traumatized people. There is no point looking for an initial trauma vis a vis gender; we were African macaques when we thought nothing of murdering for thrill and gain and raping for the sake of rape, and we still do these things, whatever we call ourselves now.

*

Those left behind by the third wave persist, as rape persists. Its main deal lies in the fight to ensure that trans people not exist, since the entire "trans meme" is a conspiracy designed by rapists. For weak people, the stated direction of the punch is at the strongest enemy--in this case, the patriarchy, which is the devil and his hell. This leaves them with absolutely no hope of victory and frankly no reason for anyone to expect anything material of them, but they sound like heroes. The place the punch actually goes--because there is a punch, a reason all these people get together in the end--is always down. There is nowhere else for weak people to punch. It takes strength to punch up, and not to punch.

Punching down is particularly easy when the target is trans people, because so many people will punch with you even if they are perfectly ready to punch you next. Once those pesky trannies are out of the way, of course. Shit.

Communities that ostensibly fight rape culture have these things in common:

They fight against each other endlessly.

So desperate are they for allies--a limited resource which is one of the things they fight each other for--and for people to understand and see them, that they make rules and use propaganda.

Finally, they often endorse and support rapists who come into their circles. Thanks to their rules and propaganda, the rapists know to be dressed to the nines in the party uniform, and to holler the party line louder and more militantly than anyone else, so that they might rape (also steal, or in other ways parasitize) with ease and at some length, discretion permitting (it often does, in many cases for years). Then they are forced to either protect these rapists or "weaken the movement".

Rapists understand this intimately, and bank on the protection of the latter clause. And it's not just feminist communities or leftist enclaves. Look at the fucking Vatican, just look at all the priests around here that rape kids and stay priests. Look at every level of government and big business in the United States. 

Listen. The trauma of rape hangs over every community that has ever tried to be a community.

Rapists farm these tides intelligently; they drink and eat and grow trauma. How successful they are as individuals is dependent on their charisma, cunning, and manipulative abilities, and even more so, how far they are willing to go, how hard they are willing to work. Many rapists are exceptionally gifted and highly motivated in these areas. These are the exact traits it takes to make effective politicians, executive officers, war generals, presidents and kings. This is why the most raped thing in history is the environment itself, our own planet. Because all flesh, all flesh is ass, and every man's entitled to a piece of ass. Amirite, boys?

So who profits from radical feminist rhetoric? Rapists. Primarily rapists. This I assure you three times over. Are you maybe reading this, J.K. Rowling? I've read your shit since I was small too, and I want you to hear this from someone: that shit only helps rapists. It helps rapists rape children. They tell you that trans people rape children, scream about it constantly, in order to make it seem like they are not the ones raping children. But they are. 

*

That's just life, I guess. I haven't been able to figure out a way to stop them. Rapists work in our schools, banks, police departments, congresses and parliaments and courts, major businesses local, national, and international, everywhere. Rapists write our great literature and music, our just and unjust laws, and they tell us the news. Some get locked up. Some never do. Some get outed, known about, have to change their lives. Some never do. Some change their ways of their own volition; reform, recant, redeem. Some never do. Some are hung out to dry, publicly and gruesomely, so that the vast majority can keep raping, and we can all feel like we do justice. Yes, we all still practice human sacrifice; didn't you know?

Everywhere one turns, rapists hold sway. And yet! We know it is a crime, we do get some of them some ways, and we know, collectively--for not every human being is a rapist, not every victim of rape perpetuates the trauma, not everyone stays silent, complicit, unknowing--we know, collectively, that it need not be this way. Our efforts are necessary, and are not for nothing--same as against any other terrible hallmark of the worst devils of our human nature.

However, if your efforts consists of stressing that one group of people is more likely to rape than another group? I'm gonna conclude you're a rapist, fighting for rapists. That's what rapists do: shift blame. I said that already, and it's the thing most worth repeating. Rapists shift the blame. 

People rape. Every race, color, creed, culture, and gender rapes. All of them. Rapists exist in every category. Get fucking used to it. Humans do what? Eat, shit, breathe, die, and fuck. What else, deriving from that? We steal, lie, make mistakes, kill, and rape. Humans being human, all humans. 

You either fight that or ignore it. If you fight it, you have to have good reconnaissance. So this is your intel, for bitterer and worse: rapists are everywhere, absolutely everywhere. If you try to do something with people, some of those people will probably be rapists right from the outset. They may not have raped yet, but it is in them, as it is in you and in me, and the trajectory of the work and the opportunities that it affords for rape will be taken advantage of. The more people the thing involves, and the longer it goes on--I don't know where the points are, but at some point, rapists will absolutely become involved, and will gain the power and position they need in order to rape. That is literally math. That is literally lines intersecting on a graph. 

Anyway. All this is to say that red flags and trying to be honest are the only tools we have. All we can do is take the best care of and protect ourselves, and the people we can protect and take care of to the best of our ability for as long as we can. Communicating honestly about it all is step one, and there are more, one imagines, but as it stands, there is no perfect defense against rape. If a rape-free culture giving rise to a rape-free society is to be, it is to be in a future no one living is likely to see. We have barely begun that work, and can hardly begun to imagine how to begin healing. 

So. Sinfest is a red flag. Sinfest has always been and has largely stayed either promoting or dependent on rape culture, even though it has pretended otherwise. Currently it is more and more heavy-handedly concentrating on how people who disagree with the author are mind-controlled by demons. That's the conclusion, for what it is worth. 

*

Do I say this to cancel Tatsuya Ishida and bring Sinfest down? No. I never heard of a solution to anything that involved silence and erasure and censorship. I mean, I did, but my interpretation of "solution" was in conflict with what I was hearing.

I say all this because I have to, in my bones I have to. Started typing almost as soon as I caught up with the comic. I say all this also because I believe many people need to read it as I've written it, starting with Tatsuya Ishida. 

Finally I say all this because I believe there is no point at which a human being cannot change their minds, transform their thinking, and choose a new way. As an example in defiance of Godwin, I am of the opinion that it would have been better if Hitler and Goebbels, for all of us as well as for them, if they had found the courage to face justice, and the task of life after their crimes. Not to be executed, but to face a form of justice that was redemptive. There is absolutely nothing Christlike in killing someone to punish them (this would seem obvious, but I guess there's a fight about it), and nothing either in imprisonment, though I grudgingly admit that here we are closer to the mark--where there is life, there is hope, though the life we generally allow the average prisoner is testing the limits of the proverb, and in most cases it is merely a slower and crueler execution. 

Crazy as it sounds, the best thing is to try and forgive. Here is my radical assertion: it is only through forgiveness that healing can begin. And if we determine to do better, but do not forgive ourselves, we are more likely to do worse. 

In life, in art, in work, in interrelation, I believe that while human beings always retain something essential to their individuality in all these categories their whole lives long that is immutable and never changes, human beings always change, and in surprising ways. Some change is superficial and some sinks deep, as deep as the immutable. The immutable, in the end, is framed by the changeable element, and so contextualized within it. And the changeable element cannot exist without its roots in the immutable, cannot be taken as the entire whole just because it is what is dominantly perceived. Words like "immutable" lose meaning when you try to use them literally, and perception is terribly limited. Everything I've ever said could be totally wrong! I don't think so, but I allow that it is possible. Certainly I will assert that everything that everyone has ever said could have at the very least been said more precisely--but ours is limited consciousness, applying microscopic, inefficient tools to measure and describe an infinite universe we can only see a fraction of a percent of.

We are different people and the same people in every moment of existence. Like the world and everything else in it, we human beings ride the edge of total chaos and perfect order and are the edge of total chaos and perfect order. We are all uniquely the same, and there is no point in judgment, or blame, that does not offer forgiveness and absolution. 

So I don't want Tatuya Ishida to shut up. I want him to keep doing whatever he feels like doing and make whatever he wants to make. I want him to give me occasion to see that he has transformed himself into a stronger person, a better artist, a human being whose worldview is capable of transformation. I don't need him to tell me that I'm right, or for Sinfest to start embracing my views and exhorting my values instead of someone else's. And I want him to do this of his own volition, approaching the process with honesty, because I'm not into coercion, or going through the motions. 

What I want is kind of beside the point, to tell the truth; I merely hold on to certain hopes. 

I think it's excellent that Sinfest has never stopped updating, and I hope it continues. I hope that it changes, going forward, changes radically. I have no control over that, but this would be a good outcome.

Right now, I look at the newest update of Sinfest, and I see a form of extra-stupid, cartwheel-turning hate speech, which is just so crazy and sad. That wasn't true back when the comic was "unacceptable". Back then, it made racist and misogynist jokes, but it wasn't hateful. This movement away from that form of toxicity, which was childish and shitty, into its modern form, which is the author's profound hatred of himself holding a twisted mirror up to the world, was slow and gradual and not without its sense; the initial movement was, if honest, exciting. 

Because indeed, patriarchy must be dismantled if we are to have justice; indeed, there is a story trying to come out of Sinfest and transform its characters that the social commentary only blocks and poisons. Indeed, the Church of Wokeness is some bullshit, and the way the discourse has been queered is not the way I would have queered it. I have made it clear that I don't like bullies, yes? Not trying to blame people for their trauma, but I have been in enough queer spaces to say with confidence that queers rape and bully in a social caste system just like straights do.

And twitter...**

*

No, don't be canceled. That changes nothing, fixes nothing. Shit isn't over till it's over. I believe in every single human being on this earth, rapists included, and I believe tomorrow is another day for them, as it is for me. The truth is always there, and its power to liberate is well-documented. I forgive Tatsuya Ishida all his bullshit, the bullshit fifteen years ago and the bullshit now. It's shit, a wide variety, but it's never all and only shit. More art is always the answer, never less.

So I hope for change, and truth, and freedom. I hope to see that forgiveness is worth it, and keep forgiving even if it's not, because whether it's worth it or not is actually impossible for me to know; we have to take these things on faith. 

Corny, pointless, probably for nothing. It's all I got. We can only attempt to be the change we wish for in this world, as authentically and continuously as we can, and never expect to see it.

*

To put a pin in this massive dirigible, Sinfest cannot be political and good at the same time because in the end, the author could do a sociopolitical cartoon or he could tell a story, but doing both seems to be too much for him and we've ended up with a work where the political commentary is reactionary and crushed into metaphorical structures that are unsuitable. The story is lost, wandering in a wilderness, and compromised by the political necessities of the commentary. The characters cannot be authentic individuals and mouthpieces and metaphors at the same time. Finally, are you making art or yelling on twitter? Creating meaningfully or drawing and then jacking off to the same porn? Telling the truth or trying to be right (wrong), and "good"? 

Decide. Up to you. You are a grown-ass man. Think about that, would you?

My advice? Such as it is: take a retreat from life, reevaluate the world and its occupants as you have understood them, revalue all values, reread your whole archive, think again, and come back as who you really are to make the comic you really wanna make. And seriously, remember that you are a grown-ass man. You don't need to be afraid of or pissed off by a bunch of confused and tricked children/robots on twitter or get on your knees in front of any living thing or concept.

Stand the fuck up and open your eyes.

*

I'm tired. This is too long to read. What can I say. What more, I mean. Infinitely more! 

I dunno. Hope it's something to think about.


--JL


*That's postmodernism. Supposedly. Calling something something else and believing it. This is of course an absurd reduction. 

Postmodernist thought is nothing more than the case for becoming able read a whole text, the obvious and the hidden, text and subtext and metatext, and to perform textual analysis in areas not traditionally thought of as textual. It leaves you little excuse for just ripping out the parts of a text that you like or hate and calling it the whole, or for believing only what the author wants you to believe, or for believing only what society wants you to believe about the author or the subject or itself. Any statements made about text by postmodernists necessarily represent only the text that particular interpreter generated about said prior text, and is not, by definition, "postmodernism", but either a new or regressive interpretation derived through deconstruction and subjective analysis. There is indeed no guarantee that these conclusions will not be drawn based on the agenda of the interpreter, nor that their interpretation will be free of their prejudices. However, this does not mean that the analytic toolkit of postmodernist thought is without honest application--very much the opposite.

The thing is, anyone can use good ideas to say stuff you hate. 

Same basic game it ever was. 

Anyway if you want to talk about gender as a deconstructible and reconstructible text, we definitely can and should, but that is another longest post ever, probably.

Just by the way, it's the worst when people don't know what the fuck they're talking about and talk shit anyway. Seriously that "'postmodern' taco stand" is the worst comic strip in Sinfest and probably deserves a spot in the top twenty worst four-panel sequences of all time.

**Look, though. If you don't get that Twitter is a psyop designed to divide each from the other by promoting the worst of us all, you are fucked. Imagine a bunch of cows standing in a field. They look like cows. They are cows. Suddenly a bunch of dudes show up and set up like a thousand chutes going in all directions. The chutes look the same to us, and we know they all go to the exact same slaughterhouse. But the cows can appreciate differences in the chutes, aesthetic differences perhaps, differences in workmanship, in direction and grade of descent or ascent. In addition, to each other they are not a bunch of cows; some cows hate bulls, some bulls hate cows, some cows like to huddle close together when they feed, some stand apart, some cows are all descended from a certain pair, some cows are particolored and some are solid, and based on these metrics, none of which change the fact that they are cows going down a slaughterhouse chute, they fight and scream and push each other down, sometimes kill each other. The grass of the field is churned into mud. The noise is absolutely incredible. The cows, who are all the same damn cow in the end, fucking hate each other and stand as far away from each other as possible, and climb into their chosen slaughterhouse chutes like emperors processing on purple velvet to be murdered, racked, flayed, dismembered, packaged, purchased, and consumed. THEY FEEL LIKE HEROES THE WHOLE TIME, HERO GENIUSES WHO ARE WINNING WAY MORE THAN THE OTHER, STUPID COWS.

That's Twitter, but it's also how it's always been in society, and that is what it does to everybody. Get the fuck out of that shit.