Wikipedia

Search results

Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Saturday, April 5, 2025

#506

As is, I suppose, traditional at this stage in the life of things, it is time to print some clarifications, adjustments, and modulations on prior positions after writing several posts in an emotive state unbecoming of the site's masthead.

*

To be penetratingly simple and clear: if it pleases you to generate artefacts on an LLM, if it helps you do tasks, if its use removes barriers that were a legitimate hindrance, and even if you're a lazy piece of shit who is literally laughing at me and flipping me the bird, use AI however you want, for whatever you want to use it. No part of that affects me in the slightest, near as I can tell, and I did not mean to attach moral significance to the choice. What I wanted to communicate was merely that it seems to me that this allegedly liberatory project is a scam, not on me, not really on society or power or capital or anything, but on the user. Like, I don't see how it helps you and I can definitely see how it harms and robs you. Also I have sampled a broad range of comics and art produced on LLMs by a variety of individuals and indeed I cannot see how you are not simply stealing labor in order to waste time. Sorry. Gotta call it as I see it--but again, who cares, don't stop on my account, prove me wrong.

*

Truly I have no business ever talking about politics in the moment. Just because it doesn't stop any other mouth-breather doesn't mean I have to make the same mistake. It's nothing personal. It is not my duty nor is this blog a truly suitable record of anything except the hideous contortions of my ego.

The truth is I don't know what is good or bad or how anything will shake out. The truth is I don't know jack or shit about fuck or dick, actually. Don't count on me if you know how to count. I keep forgetting that this is so and going through this shit again and again, but dammit, may it please take hold this time.

*

A cleanser for the palate! A shot of something resinous and 120-proof to cut through our system. 

Yes! Yes! Lists! The true purpose of Factually Pointless. Have a dash of them! A salting! A peppering! A smorgasboard! A variety platter! 

Alright okay. Ok cool. Here we go.

*

One of the clearest signs that something is fundamentally at issue in the core of my being is that I read much fewer honest-to-god physical books. There's always ups and downs in how many books I get through based on the influx of other media and the tides and vicissitudes of life, but the last long while has been particularly not-much and very other-stuff heavy. Still, even though I have not managed to complete O. Wilson's excellent Consilience, I have started and finished a few other books, and a veritable pile of comics. Follows an account of all such as I am able to dredge from the memory. Hasn't been that long since I hitcha with the lists, but somehow I do get through things.

books I have started and not finished in addition to Consilience

Flatland: A Romance of Many Dimensions, Edwin A. Abbott

Charlie and the Chocolate Factory, Roald Dahl, reread, aloud to Ezra as a pastime especially before bed or driving someplace

books I have managed to start and finish since they're fewer than a hundred pages long and filled with illustrations

George's Marvelous Medicine, Roald Dahl, reread for maybe the seventieth time (Roald Dahl childhood 100, Roald Dahl teenager and adult 100, all the stuff, every scrap and bit a person can find, I have read it multiple times)

Solutions and Other Problems, Allie Brosh (wow this is one of the funniest persons ever to have drawn breath and shown their work. Also profoundly courageous, or, persistent, which hits the same)

Who knows how many Star Wars books I forgot to put into the record, honestly, what a buffoon

print comics, usually from the library

completed:

The Last Delivery, Evan Dahm (genius)

Funny Things: A Comic Strip Biography of Charles M. Schulz, Francesco Matteuzzi and Luca Debus

Where I'm Coming From: Selected Strips 1991-2005, Barbara Brandon-Croft

Batman: White Knight, Sean Murphy

Batman vol. 1: The Court of Owls, Scott Snyder

Miles Morales Spider-Man vol. 1: Trial by Spider, Cody Ziglar

same category, forgotten from last summer:

Social Fiction, Chantal Motellier

Special Exits: A Graphic Memoir, Joyce Farmer

comics in progress:

This Is How I Disappear, Mirion Malle

webcomics I have read from start to finish, caught up on, or revisited from long ago lately--who knows which! Me, but I really don't wanna type all that shit out right now. I want to be done with this so I can shove my unemployed ass into the bed and raise digital pocket monsters.

Kill Six Billion Demons, Abbadon

Bobbins/Solver/Steeple, John Allison

Sam and Fuzzy, Sam Logan

Dumbing of Age, David Willis

Yellow Brick Ramble, Daisy McGuire

Dresden Codak, A. Senna Diaz

Elephant Town, Danielle Corsetto

*

OK! Okay okay all right now woo woo wooooo


--JL

Saturday, February 15, 2025

#489

Oh No! Forgot last post was supposed to be list day! List day for my precious, precious readers, to whom I gave solid assurances!

You poor things, to be such worms on my hook. 

There, there. I have arrived, with more lists that you could ever have bargained for.

*

Maybe that's a bold claim, maybe I'm here to wreck all your concepts. Guess we find out together.

*

video games I have completed lately:

Crisis Core: Final Fantasy VII: Reunion (this has to be one of my favorite games ever. I am not kidding. I know a lot of people take issue with a lot of things about it, maybe the PSP version was worse [I think maybe I got to hold a PSP once. Once] but I think it is a masterpiece. Activate my combat mode, bb)

Final Fantasy IV (somehow it just never gets old! I love this stupid story so fucking much)

video games I have started lately but not yet completed:

Final Fantasy XIII (finally! finally. And you know what? Feels good. It really is an amazingly fun game to play. Faults it has, and they vary in gravity from personality to personality, but the game is so great to play and so amazing to look at, and the story is a remarkable thing remarkably told. Playing a bunch of its predecessors in succession has, as I hoped, help me see it in a new light and raised in in my estimation from "fifty percent genius lashed to a pain machine" to "compromised yet sacred vision". This is probably the nex game I will beat, unless it is...)

Final Fantasy V (getting to be pretty close to done with this bad boy--and it was so rad! That sexy, sexy job system. Another bonkers, silly-ass, beautiful, magnificent tale. Music's not as good as IV or VI, but that's ok. The maps are also iconic.)

INSIDE (almost exactly halfway, kinda stuck on some part of a puzzle that as I type this, makes me unsure that it's a puzzle...I should probably fire it up and try something new right now...anyway INSIDE is very very very good, I have a perception that everybody knows that already and they are right)

The Legend of Zelda: Echoes of Wisdom (taking my sweet time with this one. It's just that, from the moment it started, I didn't want it to be over)

Final Fantasy VI (really liking it, but I'm at the first juncture where the party gets big and then they split it--like in XIII!--and I took a break there)

video games I particularly wish I could play, but can't right now due to reality:

Final Fantasy VII: Remake+Intergrade

Elden Ring

video games whose soundtracks I have been obsessed with/were FINALLY made available

All Final Fantasy games, to varying degrees, the intensity of it might actually be a little embarassing

Eastward (FINALLY FINALLY THE SHEER PLEASURE OF IT)

Kingdom Hearts II

Golden Sun

The Legend of Zelda: Breath of the Wild+Skyward Sword

albums I have listened to lately from start to finish for the first time

Soul Supreme | Soul Supreme

#KingButch | Butcher Brown

Zelda: The Themes on Piano | Arcade Player

As It Ever Was, So It Will Be Again | The Decemberists

Fractures+Folding+Flight of the Sparrow | Anderholm

200Xad | Mega Drive

Atom Heart Mother | HARU NEMURI

(Per la) via di casa | La rappresentante di lista

Reaching Fourth | McCoy Tyner Trio

Today and Tomorrow | McCoy Tyner

Plays Pretty | Oscar Peterson

Riverside Profiles: Thelonius Monk

Takin' Off (Expanded Edition) | Herbie Hancock

GUNSHIP (Instrumentals) | GUNSHIP

Syndicate Shadow | Neon Nox

Nocturn | Tonebox

Athletic Progression | Athletic Progression

Vince Guaraldi Trio | Vince Guaraldi Trio

Black Classical Music | Yussef Dayes

Quarantine Sessions | Tom Misch

What Kinda Music | Tom Misch and Yussef Dayes

Quarantena | Tenderlonius

Keys To The City Volume One+Black Radio III (Supreme Edition)+Code Derivation | Robert Glasper

BREAD | Sofi Tukker

A01 | OLDUCT

Symphonie Pacifique | Greg Foat

Black Focus | Yussef Kamaal

Think of One...+Black Codes (From the Underground) | Wynton Marsalis

movies I have watched lately

The Batman

The Boy and the Heron 

Namoo

television programs I have watched some or all of recently, some ongoing

Severance

Adventure Time+Distant Lands+Fionna and Cake (rewatch)

documentaries I have watched recently

Chimp Crazy

The Way Down: God, Greed, and the Cult of Gwen Shamblin

Love Has Won: The Cult of Mother God

(this is kind of a morbid viewing pattern but I guess I just want to understand these types of mindset better)

comics I have read recently

Vattu+Rice Boy+Order of Tales+3rd Voice | Evan Dahm (reread what I had covered then finished Vattu after a couple years away, which allowed time for a complete and a delicious backlog of 3rd Voice to accumulate--this website is among internet's absolute foremost, and has been since Rice Boy's very first strip--reread that and Order of Tales)

Demon's Mirror | Harry Bogosian

Skin Deep | Kory Bing (reread, catchup)

Octopus Pie | Meredith Gran (reread, but there was also a post-covid story I hadn't read yet with [spoiler] some weddings in it)

Buttercup Festival | David Troupes (reread, catchup)

comics I am about to begin and catch up with because I am just now finding out they exist because one misses these things sometimes and just has to live with the pain and fatality of that knowledge

Blikada | C. Spike Trotman

*

It is reasonable to ask how I accomplish such a media diet along with sustaining life and keeping house and meeting any number of other temporal demands. In the first place, I am dedicated. Some would say, obsessed to the point of self-sabotage. For I think of myself as a fairly efficient manager of my days and times in certain senses, depending of course on the day and season, and it bears out in terms of how much I get done. The obverse, of course, is what I basically never get done, what I end up crushing into the last minute, the sacrifices and excisions of other activities necessary in order to pursue my many, errant threads. 

But we are all weavers, eh? This is my tapestry, and I put it together my way.

*

Guess that wasn't too crazy on the list front. Well, keep an eye out. I don't know what happens next either.


--JL

Thursday, December 5, 2024

#479

There was a conceptual moment in which I wasn't sure what I would get at when I approached the text field today, so I determined that I might warm up with my most favored of fallbacks, a list. Perhaps, I thought to myself, two or even three lists might fit the bill. I think things like that because I am a pervert and a sadist and I love to make you pay for my free content.

Anyway, when I actually did start writing, the topic burst from the back of my skull and fruited, drawing nutrients from my husk with a barbaric, starveling swiftness. But, hey. Listen.

Guess what.

You're still getting the lists, baby. Strap the fuck in. That other shit will be here tomorrow.

even more fucking video games bought (I have run out of money)

Final Fantasy Pixel Remaster Collection
INSIDE

books I didn't tell you I bought or picked up off the ground because I was doing a thing, whatever

Consilience: The Unity of Knowledge by Edward O. Wilson

Wise Blood/The Violent Bear it Away/The Complete Stories by Flannery O'Connor (I went to the used bookstore specifically to give them my copy of The Violent Bear it Away I mentioned so I could knock a buck off owning this instead)

Ways of Seeing by John Berger

Of Spirit: Heidegger and the Question & The Gift of Death & Literature in Secret by Jacques Derrida (literally the same translator and everything else as my old copy of The Gift of Death, but [presumably] improved, plus of course Literature in Secret. The timing was perfect; I have lent out my old copy of The Gift of Death and need not worry that it may never return)

The Golden Pot and Other Tales by E.T.A. Hoffman, transl. Ritchie Robertson

Heavy: An American Memoir by Kiese Laymon

Synthedroid Saviors by Mark Lindquist (I am a little loth to record this, since from this self-published treatise on himself on the back of his book here apparently the guy lives in my town, may be completely insufferable, and could conceivably be weird about this. Whatever though; you make something and leave it around, people find it and make an opinion. That's how art usually works and it is certainly how this stupid blog works; anybody can say whatever they want about this heaped pile of whatever I have toiled on to no profit and think whatever they want about me on that basis. This is the bargain that we strike as creators, is what I am saying, one with God and the Devil both)

Hospital Series by Amelia Rosselli

The Sociology of Philosophies: A Global Theory of Intellectual Change by Randall Collins (can you tell that he is a Harvard man? Can you tell that Harvard published this, more specifically, the Belknapp Press of Harvard University Press, Boston Massachussets, London England? I tease beacause I am literally pumped to see what this horsehit is all about)

On Freedom: Four Songs of Care and Constraint by Maggie Nelson

Magical Writing in Salasaca: Literacy and Power in Highland Ecuador by Peter Wogan

The Water Street Reader by Various (this was made by anarchists and they filled it with whatever the fuck they wanted apparently--I kept it because it contains at least one bell hooks essay, so we'll just see what else this curation packs. They obviously spent real money on it, so I suspect them to be adherents to a breed of anarchism which, hm. Anarchists with straight, white, even teeth and a unified aesthetics of tattoo; indeed, a kind of uniform in which beanies and Dockers feature prominently. This is a hypocrisy I have witnessed for so long that I am inured to its bullshit. I just get what nutrition I can and move on)

Selected Stories by Lu Hsun

IMAGINE: What America Could Be in the 21st Century by Various, edited by Maryanne Williamson (honestly don't know what I'm in for here, but I got it because basically it looks like none of these visions came to pass, zero. These authors seem as though they are optimistic, enlightened, freethinking beatificants, and what actually happened is now we live stuffed up into the leaking asshole of a rotting carcass that does not know it is dead. I thought this lozenge of completely misspent hope and vigor might be good for a laugh so bitter I could easily die from it)

it's not over yet! I fucking told you! movies I have watched since last I spoke on it

New to me:

Heretic (in theaters, brilliant, loved every minute basically)

Rewatch:

Batman Returns
Batman Forever
Batman and Robin
Jurassic Park

Honorable Television Mention: The Penguin

*

The movie list is fairly anemic because of all the screen time video games take up. Didn't feel like dragging myself into a theater for all that other new shit I was talking about; I'll get to it when I get to it, like everything else. Also Ezra and I have been watching Gotham, though it may be more explicative to say that we are exposing ourselves to the show and enduring actual mutilations at its hands in exchange for the crisp, delicious slices of powerful characterization and storytelling layered through this brutal, senseless pulping and mulching of the setting and the great majority of its inhabitants. The Riddler is thus far the only character to have gotten through this thing mostly unscathed, but we have like, two whole seasons left.

It's not that I don't like it. It's that apparently only a few of the writers and producers like me. Or were allowed to try to manifest that affection.

*

So many obsessions whirl and tumble in my brain that plenty I care deeply about may not have been revealed even in five years and damn near five hundred posts. I'd like to concentrate more on more exhaustive coverage--I mean, I mentioned recently that I am weird about Batman, and you can see I am cruising througha fresh Batman phase even now, but I realized that you, dear reader, basically would have had no idea about that before then. But I'm a nutcase about fucking Batman! Read that last sentence however you want. 

Something has to change. I need to focus around here. 

Tomorrow, we shall look at Spongebob Squarepants--specifically, Band Geeks.


--JL

Wednesday, November 27, 2024

#472

To round of Factually Game Theory 2024, I thought it might be interesting to explore some of the negative space on the subject, i.e. what I don't play, even actively avoid. Also it's probably best practices to stress that I know what game theory is and that none of what I have said resembles it. I possess this awareness.

Jokes. They happen sometimes, in your vicinity, whether you appreciate this truth or just drool onto yourself a bunch while you wait for someone to wipe the drool off.

*

One must exercise caution, because the exploration of negative space too quickly becomes "I don't play these games because they are the byproducts of rot and the minds they issued from are morasses of putrefaction aqnd disease". That would be a moribund and sterile effort, noise without meaning, and if you disagree, I have excellent news: there is more of this kind of writing being generated about games per second than there is any other kind of writing on the planet, except pornography involving characters not generated by the author. You can be reading fresh ideas from brave new voices with only a nominal amount of clicks and keystrokes.

*

In my fecklessness and lack of self-regard, only Fallout 3 ever made any purchase on me among all the houses of its throbbing, radioactive lineage. I don't know, it's just true. Never played the ones that came out before 3; think there's two, seems reasonable to guess two, but I have been burned before. Never played any of the ones that came out afterwards.

It is as though I am trapped in my own chronoshard, where 3 condensed from total intangibles and never reproduced.

Anyhow. It is clear, no matter the internal particulars, that this Fallout thing makes me a heretic in the ways that I think are actually suboptimal, instead of making me smile. If I weren't me, I would respect me less--the objective facts of the case speak to me of a person of low character.

Because the person is me though, I give myself a pass. Maybe it's you who might consider that 3 is in fact enough Fallout, an island of sufficiency.

Skyrim is pretty much the only Elder Scrolls game I play, also. This sweeping away of the cape reveals that I merely like Bethesda games developed and released within a particular span of time and at a particular scale and resolution.

Still play Fallout 3 sometimes, and my blatantly unhealthy relationship with Skyrim is something I have had to face quitting the way one quits drinking. I should throw both the 360 disc and the Switch cart in the fucking garbage, today. But I know I won't. Might make the disc into art, though. 

*

Man, this has been like pulling a struggling wombat from the living earth. Well, I can't physically do that and would be surprised if it could be done without a tractor hitch, but I digress.

Long story short: I don't tend to play a lot of shooters or hyperrealistic games, with Halo* being a strong exception, plus the occaisonal spy thriller. Pure puzzlers are not a big one for me, I become completely obsessed, but only with a very few. However, puzzles should be everywhere in all games. If you could do a puzzle every time a chess piece moved in order to secure the move or gain bonus effects, for example, that by itself would be a great game. I don't play games that stress live disembowelment or active rape mechanics or whatever the fuck it is that breeds at the bottom of the barrel of human endeavor. I don't play games where you do nothing but kill without context, or engage in power fantasies for the sake of power fantasies, or engage in the extermination of the Other; I am not opposed to violence in media, but beyond a certain threshold it just makes me sick. Games which are not specifically fighting games that are purely competitive, dating sims, granular-type sims, gem-matching, cookie-clicking-type things are no, and games which do nothing but PvP until the very earth cracks with age are out for me; Overwatch and Unreal Tournament for example, feel to me like just big balloons of nothing. No MMO's. Bounced off WoW instantly and failed to engage with The Old Republic. Whatever Fortnite is, I don't care about it, to the point that I can't even pay the kind of attention it takes to define it, even though I've read a lot about it. 

Anyway. Enough of that negative bullshit.

Let's just wrap this with a story instead. Stories are better.

*

My parents were reticent to provide me with video games, and thus, a large part of my memories of childhood is the waging of a relentless campaign of propagandistic attitition in the pursuit of digital entertainment. My case, almost from the get-go, of course, was that it was digital literature I was after, just like books and movies, which in fairness and praise to my parents, they provided in spades. I grew up reading and watching literally whatever the fuck I pleased basically on my own recognizance. Encyclopedias, young adult literature, and the shorter classics were all part of my repertoire before I turned seven, shortly before I would start on philosophy. Also Quentin Tarantino and Mel Gibson movies, and stuff like The Ghost and the DarknessCongo, Predator, and of course--of course--Jurassic Park were all included my video diet, along with more regular, defensible stuff like Willow and Star Wars and The Dark Crystal. I had seen Blue Velvet and Silence of the Lambs before I turned six, though. Lmao!

No video games of my own, though. No Mario, no Zelda, no Donkey Kong. Perhaps you knew someone like me in your own game-filled childhood--pathetic wretches, rain running down their faces as they pressed their hands against the glass of your window. The only games they got to play were at your house, man. You'll never know the pain.

Not that I was truly suffering under any real deprivation. Toys--yes. Everything else a kid could have or want? Yes. Only games were dangled out of reach. Well, console games--the PC as a platform was tolerated, and edutainment software was played into the ground, as well as some early browser games, and, for some odd reason, Command & Conquer: Red Alert. So, really, it was primarily console games I didn't have access to.

I have no bitterness about this anymore; my childhood was totally rad, even if bitterness about games was a big part of it. It's not like I sat around pining. You know me: into many things at once. Plus, DK3D and C&C:RA? Pretty sweet groundings in gameplay and design. Disney Interactive games also slap harder than they need to, specifically, The Hunchback of Notre Dame Interactive and Ready to Read with Pooh. Math Blaster is also cool, but Reader Rabbit...I dunno anymore.

Eventually, of course, faced with the twin suns of my long-fought campaign and the birth of my feverish Pokémania, my parents finally cracked and got me a yellow Game Boy Color and a Pokémon Blue cartridge. 

Man, I can still smell those objects new out of their boxes. What a memory.

Of course, human beings are what they are, and this taste meant I needed more--the very outcome my parents had bulwarked themselves (and me) against for so long. I needed an N64. I needed Pokémon Stadium, duh, but I needed Starfox too, so badly. I needed Goldeneye and Super Smash Bros. I wanted Ocarina of Time so bad it almost scared me. Being given Gameboy carts of Tetris and Super Mario Bros Deluxe only stoked my ardor, as well as refining me in the classic senses as a player of games. 

My education about games was piecemeal and patchy. I didn't have access to or even knowledge about many of the periodicals and news sources that would have informed me more broadly about the space and its history. It was mostly commercial and hearsay, sources in their human forms--a buddy who had a lot of games showing me Civ II, the overhwelming presentation of arcades, knowing Sonic was a thing but never really playing the games, etc. Bingo balls rolling in a basket. So it was that it was years and years of life and games and all that stuff and somehow, at the age of eleven, I had not yet heard of Final Fantasy.

Knew about Cloud, sure. Had seen pictures of Cloud and Sephiroth. But I didn't know what game they were from. Incidentally, at this time in my life, all I knew about Samus Aran was a story invented mostly out of whole cloth by an Italian friend. Basically, he said her name was Metroid, and the bakstory he created for her was, shall we say, graphic. The armor, in my mind, did not encase a blonde beauty with all her fingers and toes. There were scars, missing pieces everywhere, in my mind. A cheek that was just teeth.

Our neighbor heard me and my little brothers were into games and she gifted us her son's old collection of game stuff he'd left behind. At last, we had a Super Nintendo and library for it, as well as a Sega Genesis (ah, so you're Sonic! Gotta go fast, you say? I see) as well as bolstering our library for the N64 we'd gotten for Christmas that year.

One of the Super Nintendo games had fancy golden script over the hilt of a sword on a red field, declaring itself to be Final Fantasy II. I didn't try it out for a while, because, well, abrogations of logic tend to confound me, and I know you can't have a second final. Little did I know that this was in fact the fourth final, but that hardly would have improved matters.

Teaching myself to play this game all the way through to the end, exploring every pixel all by myself, securing every weapon and extra boss, all the summons and secret places, ranks as one of the greatest things I have ever done. Pokémon built itself enough out of its bones (the D&D/Ultima bones) to render the source stock instantly legible to me, and so I was able to enter through that little archway into a world I had theorized was possible, a world I had confidently assured my parents existed and was worth exploring, and which blew my mind wide open with its living, breathing actuality.

Digital literature. Yes. I took it up on its promise, and was blessed; now I bear its rod and staff, and its holy word is ever upon my lips.

*

Literature, that is, art, is the Prime Good of All Existence, as is well understood. Video games are a part of it, so, you know, they make life better, a lot better. So, I think they're all right.

I like 'em.


--JL


*Halo's setting--in scale and magnitude--is too powerful. There was a point when I had seen lots of stuff from the game and thought it was merely ok, like, yeah, cool jeep and shit. Nice energy bolt you made there. But seeing the ring, Halo itself, from space shifted something deep inside me and lit my brain up in brand new places. A top-tier game memory.

Wednesday, November 13, 2024

#469

One would think that engaging in discussions regarding crass, rank digital entrancements would generate some kind of action, but apparently writing about games has hurt pageviews! Forget about it, though--I'm choosing to take this as a sign of progress overall. 

Why does Bravely Default want me to put it to sleep for eight hours at a time, like a human child, in order to gain battle currencies? Because it wants me to pay actual money (an impossible ask at this late date) in order to break out of the turns, a delicious, universe-breaking power. Well, I happen to love taking turns. I may hate laws, but I am a maniacal devotee of rules. Any player of games must be, even if your aim is to subvert those rules--they remain your entire focus, since the delicious thrill of freedom is only from them, and the thrill of cracking them is impossible if they are not there to be broken. 

For my part, it is my game to kick ass just fine within the rules, unstimulated by the arts of the glitcher and the breaker. No offense to that meta, but as an assertion of the advantages of my own philosophies of play, I invite you to sit down to some chess. You will find I do not require extra turns, asymmetrical buffing, or adjustments of any kind to the underlying systems in order to execute my strategic aims.

*

Before we get into the fun stuff I have thought to maybe do for Factually Game Theory 2024, I would like to interject a bit of book news. Read the first chapter of Byung-Chul Han's book The Disappearance of Rituals a little while ago, read most of the rest of them yesterday and the spare change on top of the final one this morning. I spoke about this philosopher I think around when or a year after the book came out, and this, my first chance to hold a physical book of his in my hands, has been balm on a fevered brow. The genius of this text cannot be overstated. Whether we agree or disagree, his illustrations and ideas are uniformly useful and diverting, incisive and complexifying. Indeed, every page of this extremely spare and clever book strives and succeeds in a particular tranformative aim--but to say more would spoil the game. 

Indeed, believe it or not, this book is on topic. 

Incidentally, he would perhaps be highly critical of much of this blog's content--but as always I gesture towards the masthead, our shared reminder that all of this is not serious, not productive in any sense; it is done for the fun of it. It is indeed a pity we must engage with production and its proxies when we type into blogs, or print books, very much when we play video games, but so it goes.

*

That, and beginning Jacques Derrida's Literature in Secret, is all I've been reading lately, basically. Some comics I forgot to talk about but I should relate Megahex by Simon Hanselmann as a strip of particular power and chuckles before I forget again. Shall have to try to remember to generate a list of unrecorded acquisitions and interpretations. But anyway! Back to games. More specifically, video games. 

*

Of course, since I've brought chess into things in this very specific way, it seems clear to me that there is a riposte embedded in my position, which is simply to ask if chess, played by the rules, is fun, or a better question, fun enough to justify not breaking it to make it more fun. 

This is a fair question, and exciting in that it merits a broadening of our scope, because my question in answer to that question is whether that is the foremost concern in play at every level. 

Of course, games ought to be fun and if they are not fun, at least in the abstract, they are not games, though optimally a game ought to deliver any number of things besides fun in its suspension. A game might not necessarily be "played" by all who might interact with its payloads, and it might be designed specifically to make the player feel unmoored mechanically and uncomfortable narratively and aesthetically, but this should, under optimal circumstances--specifically, having found its player--result in a kind of extremely narrow but no less potent or legitimate variety of fun. 

Learning is a game, and games by their nature must be learned. This principle lies at the center of our experience of consciousness, of thought--beginning with the memetic interchange between mother and infant, we learn for and through fun and it is essential that we learn to play or else we cannot learn at all.

*

It's why motherfuckers will tell you to grow up and stop playing video games. It is because they want to castrate your brain. Broadly speaking, it's why people tell you to grow up and "get serious", "knuckle down", "do something productive with your life". 

Man, fuck that shit. 

*

Similarly, it is why the imperative "learn to play" carries such sting. When one is told one has not learned assiduously enough, in the context of a game, the clear and indelible implication is that you are too slow at thinking to survive. In short, brutal, and honest terms, too fucking stupid to live. 

So that simple law of nature is writ large at the zenith of civilization as inescapably as at its most primordial roots: get good or die.

*

Again, I think there is much more to games and to life than that, but that is an undeniable part of their base code, and acknowledging it as a vector for potent truth reveals many rich bands of information, many opportunities to translate and refine one's learning. 

As games teach us to play, they teach us to think, and as we think more and in different ways, we--hopefully--also get better at learning, which is to say, we retain our suppleness of approach and our spirit of play in thought, sinking our roots deeper and spreading our branches ever higher and further in our quest for clear light and clean air.

*

In short, it is valid to break chess and valid to try and improve it, but it is valid also to simply devote yourself to playing it, even if it seems more boring than the other two. As I have endeavored to indicate, all three elements are in fact one process.

*

More game thoughts forthcoming in an unseemly gush--soon!


--JL

Thursday, October 10, 2024

#460

FACTUALLY MACABRE 2024

WILL MURDER YOU IN YOUR FANCY CAR

AS PUNISHMENT FOR YOUR LUST FEELINGS

*

A friend of mine reads new books; that is to say, almost entirely writers and trends that have surfaced not only this millenium, but the few years surrounding whatever screaming NOW we happen to inhabit should we bring the matter up again. A current reader, a reader of trends. I read new books, yes, but as anyone who reads this blog knows, a) I am into too many things at once to try to keep up with everything happening at the bleeding edge of anything, and b) my requirements even within the book spectrum are too omnivorous and exploratory to be satisfied by this model at all; I am as avidly curious about old books and dead people as I am about who the most interesting living writers are and what they're up to, according to my own metrics. Finally, c) things like books on tikkle tokkle and the best sellers on the argmazon merketplorg mean less than nothing and in fact anything that thrives in such an environment must penetrate my most virulent antibodies and craggy, hardened carapaces.

I am aware that I myself have had products on sale on the ahrizon mellscapelace, but they could never have succeeded in such an environment. I'd hoped to sell a few books more or less on terms I could live with and a few--a laughable handful--is exactly what I accomplished. 

Anyway. The horror stories that they read and send passages of in the group chat seem mostly horrifying in how they are written rather than their subject matter, and in this they achieve levels which must be understood as pure evil, though nothing like the spiritual corruption and total abandonment of human feeling and standards of personal quality on display in the "erotica" and "fantasy" I am exposed to in this way. 

These doses act very like inoculation. If I didn't see shit like that for ten years and then got blindsided by it? I might have a heart attack and fucking die. I might snap right then and there, on the goddamn spot like a sick cartoon, unrecognizable. Shitting pissing nutbag lose my grip and start gnawing on the nearest human face. 

So if I let this person administer tiny doses of lethal toxins, I can continue to live in this world, and try to understand the people I was born to share it with.

*

They got gross shit, these horror books, sure. Revolutionarily gross maybe, stuff that sure, traditional publishers would not acknowledge a market for--perhaps wisely, perhaps not. Not for me to say, though my basic stance on traditional publishers is that they are scorpions trying to cross a river. But they--the stories--are not, at the same time, exactly, what I would forthrightly call books. They are long-form pieces of writing, yes. People read them, this is true. However everyone knows that all kinds of evidence about the given duckness of a thing does not necessarily equate to a thing being a duck, conventional wisdom notwithstanding. Guess what: we live in an age where we have to discard a bunch of that shit, and rediscover much that has been forgotten or erased. So it goes.

Oooooh, graphic descriptions of skinning a penis like taking a sock off a foot. Am I talking about the horror or the erotica? Yes.

Dang, groundbreaking. The year two thousand and two AIM'd; they want their basic flame war threats back.

*

So boring. I know, nestled deep in the folds of the great beast's hide, great books struggle for air and will die smothered, some of them so scary that it's probably a good thing that no one will ever read them.

*

Still haven't watched the theatrical run movies I been meaning to! This is not optimal, especially re: The Substance. I just want to stay home and play video games real bad, is all, and there's always chores to do. The days go by how the days go by.

And then you die. Maybe in the room you're reading this post in. Maybe in the bathroom. Maybe somehwere you never could have guessed. What will your last thought be? I'm trying to get my house so that if it happens here, no matter where I happen to be within its envelope, I have interesting and beautiful colors and shapes and objects to look at and trigger my last thoughts. Something hopefully semicoherent, towards the ecstatic; something poetic and complete into and of itself that places the kind of punctuation I could marvel at and laugh with after all is said and told and told again. 

REMEMBER EVERY DAY THAT YOU GONNA FUCKING DIE

MEMENTO GOD DAMN MORI

PEACE

FACTUALLY MACABRE 2024


--JL

Thursday, September 26, 2024

#458

When it comes to play, the only analog game that really thrills and grips me is chess. Even pinball, which is basically a video game, merely diverts me for the most part. Besides that, by and large, I find manipulating board games, pencil-and-paper games, dice and card games and the like to be more of a hassle than anything else. I dunno. I just don't feel the spark, the galvanized, intent feeling that is so free and instantaneous when I've got a controller in my hands. 

Used to play around with kind of a specially carved wooden chess set and board that my dad had as a children's toy--the pieces were quite big and blocky--and the old man started teaching me around the same time I was learning to read, so like, two and three years old. Chess is one of the first and only tabletop games I ever learned, and I only started getting really serious about learning it when, predictably, my dad found the right book for me to learn out of, allowing me to make studying it and defeating (killing) him a project I could work on in my own time and through my own imagination.

Though I technically learned to play Super Mario World first, and video games are therefore my first love, as I beame older and more capable, chess took over my ideation and sense of the world in a way that few video games--indeed, few worldly phenomena or cultural apertures--ever have. 

That's the crazy thing about chess. So powerful that it is all games, all puzzles, all contests. It is even all stories. 

*

Around when I started becoming proficient at chess, so, seven and eight years old, my dad had me start reading Plato and Aristotle, and a text intended to enrich and supplement called Ética Para Amador, by Fernando Savater, a Spanish philosopher who wished to create a philosophical primer for his collegues to use with new students, an intimate instruction in ethics for his son, and a modernized, slimmed-down work in the tradition of Aristotle's Nicomachean Ethics, also a text that has been of great importance in my life. Though I did not complete any of these books cover to cover until I was about ten, they put quite a lot of grist into my little mill right away, more than enough to grind on.

Why bring this up? You know me, dear reader--simply reflecting on my childhood. One of my passions, eh? Plus my chess set is near me.

*

Also I blame my inability to perform in the modern academy and indeed modernity itself on this early instruction. Once again, like Oskar Matzerath, I had everything I needed early on, and it stunted me profoundly.

*

Guess I'll probably read The Tin Drum again sometime soon. It was a really big deal to me when I read it as a teenager. One of the deeper oceans of those years, like East of Eden and One Hundred Years of Solitude and One Flew Over the Cuckoo's Nest

One crazy thing I did book-wise was taking my second-ever recreational Adderalls and staying up all night to read  Alan Fletcher's The Art of Looking Sideways from cover to cover. Doing this changed my brain permanently. That would have been in college, at age nineteen, which feels at this advanced age like relating some Shakespearean apocrypha; like nineteen-year-old William Blake was in the next dorm room lying on his bed, staring at his ceiling in the dark and weeping silently. 

Another crazy book thing I did was read The Silmarillion and The Lord of the Rings and Unfinished Tales and The Hobbit every single year. Now its's every few years. Funny how the landscapes change. 

A final crazy book thing is how if I'm having anxiety I might just read like eight thousand pages of George R.R. Martin's words. It is a  warm comfort to me, you see, how very many of them there are. The pleasure of their arrangements and their construction is soothing on top of that, and of course, we circle back to chess--very comforting, the chess of his writing, his books, his mind.

With soothing anxiety, a different remedy is listening to Patton Oswalt routines. Something about that voice of his--he just makes me feel calmer, even when he's agitated.

*

Good bet a lot of this post is repeating myself. Well, one is bound to, on occasion. That, too, can be comforting to an anxious turn of mind.


--JL

Tuesday, September 24, 2024

#457

Took a promotion at work. Didn't really want to, but it's the done thing.

It happens to be true, and some children seem born with the wisdom to see it and the boldness to say it aloud: being a grownup in modernity sucks and the alleged perks are entirely worthless. Indeed, to grow up is to betray what is human and free in the soul, trading it for--what? For fucking nothing, that's for what. I was one of those children, but unlike Oskar Matzerath, lacked the supreme dedication to myself and my own dignity required to remain as a person ought to remain.

Well, he fucked it up anyway. Moral of the story. We merely have to do our best with our fated maturations and deal as uprightly as possible with the unremitting fruits and blooms of senescence, as well as the almighty noise and hopekilling stench of the world humans have made and which we must take part in if we profess to love any part of it, or the world over which it has laid its such deleterious dominions. 

Indeed, it is an insult to children when groups of grownups acting like grownups fuck things up and can't get things done to such a degree that they need finally rely on an adult person capable of speaking simply and honestly in the service of doing the next right thing--and then they call that person "the adult in the room", meaning that these grownups were acting like children till someone reminded them to grow up. 

Motherfuckers--no. Reassess this world and the lives that live in it. Starting with yours.

I will admit that if we must mature, and must take certain mantles upon our shoulders as our lives take us through our part in the life of the world, then we had better be adults than grownups.

*

I wonder if the whole Amerinativist psychology of keeping immigrants out--a psychology that is only nurtured and fed by the powers that be until some massive project needs to get done whose human cost is astronomical, necessitating a temporary heel turn till the job's done; then we fill the moats and post the sentries again--is sustainably fed by the knowledge that this whole situation of having power over this vast territory and its resources is only possible because the people that were already living here didn't butcher the English, Spanish, and French by the individual boatload as they came, the way you kill cockroaches that come into your house.

Should they have done? I think when people act like we have to keep immigrants out, they are stating that yes, they should have. A hot take if true.

*

Hm! Coming across pretty spicy today. What happened? I don't even know! None of this stuff is what I thought I was gonna write about when I approached the ole text field. Perils of the job, I guess.

*

Started reading The Violent Bear it Away, by Flannery O'Connor. Been meaning to read her work for ages, but seeing Wise Blood, plus the last ten minutes or so of Wildcat, has made me eager. It is pretty awesome so far, specifically because she is a fucking amazing writer. Like touching electricity. 

*

Finished Final Fantasy X (not the best playthrough I could have done and I'd like to do it again perfect relatively soon, like in the next five years [that's how this guy five-year-plans, folks--and in no other way, believe it]), started X-2 and it was good but the differences between it and the way the standard installment operate, as well as an itch to get back into Ivalice, spurred me to shelve it for now and get into FFXII: The Zodiac Age. A little over sixty hours in and I am glad I waited for this to be the version I played through. I run through this game at fast speed a lot, and I don't think I'm halfway through yet--my party is mad overleveled at 47-48 and I estimate endgame side content to push into requiring mid-80's--but what would the playtime have been on the PS2? A hundred and ten hours already, probably. As I have mentioned, Final Fantasy playthroughs can and do run into the two hundred hour range. Also it is so much more beautiful to look at and listen to and fun to play. Having a fantastic time with this one. And it has whetted my appetite for XIII! Just as soon as I finish Game of Thrones: Ivalice Edition.

That does remind me of a problem. Maybe the single greatest thing about this version of XII is the ability to have the original Japanese voice track on, rather than the English dub, a feature not available on X, X-2, or--and this is actually bad--XIII. X and X-2 have their English issues, but I can tolerate them. I absolutely loathe listening to the English voice actors for XIII talk. It made me reluctant to move the story forward. I know they worked hard and did their best. I appreciate their efforts. It fucking sucks to my ear, though, and it is next to unbearable. Shit that is dubbed is always just plain wrong, subs every day all the way, but not all dubs are created equal. Some have merit. I will try to find XIII's, but man. Not looking forward to that aspect of things.

Listening to Snow and Vanille is like a punishment. Ok? It's like getting taken out to the woodshed for a hi-test bareass beatdown. None of them are good, but those two are a punishment. Also I don't know that human bone structure actually allows for how Vanille is shaped and moves. I think she's Gumby people. She's cool though. Snow is the worst character that has ever been in a Final Fantasy; at least any one I've ever played. Just one man's fervent opinion.

I dunno though! Maybe, hearing him in Japanese, I would understand his actual thoughts and feelings even one iota, even if I could understand a lot less of what he was actually "saying". Language is crazy like that. 

Why not mute the game? Maybe you can, but you can't hear the music if you mute the game. That is always a problem, but I believe in Final Fantasy, like in Star Wars, the music is absolutely paramount, absolutely fifty percent of everything. Mileages and tolerances may vary, of course.

*

Alien: Romulus was fucking INCREDIBLE. Today I will go see The Substance, which has been generating profoundly intriguing reactions and comments. Thrilling!

*

It's raining, but I gotta go buy weed before I see this movie. Still not smoking cigarettes. Haven't even talked about my recent back pain, which I think is related to my promotion (amongst a host of other factors), or how Ezra and I decided to go separate rooms to help us get rid of stuff we oughta get rid of, optimize our office spaces, and do sex stuff with third parties. This post is being typed looking out of a very similar window to the last one--but on the opposite side of the house. My books and art stuff are still in the office, but my writing stuff and my completed artworks, as well as all of my my instruments and music stuff, are in what was formerly the bedroom and is now my bedroom. It's cool having my own room again. The upstairs guy! I'm into that.

*

Was that too long? It took awhile. But then, it's been awhile. 

Things are always changing. Life goes and goes. What can you do?

Till next time: soon, it can be hoped. We always have the solace of hope, after all.


--JL

Tuesday, May 7, 2024

#434

Currently reading Filterworld: How Algorithms Flattened Culture, by Kyle Chayka. Pretty good so far. Pretty apt.

As is the time-honored, factually pointless way, we present books I have read since last I spoke of it:

About Time: A History of Civilization in Twelve Clocks, by David Rooney (this book was GENIUS, extremely should-read stuff)

Star Wars: Thrawn Ascendancy: II: Greater Good and III: Lesser Evil, by Timothy Zahn, Last Shot, by Daniel José Older, Shadow of the Sith, by Adam Christopher, Alphabet Squadron: II: Shadow Fall and III: Victory's Price, a High Republic comic storyline I forget about (not the story or anything, just the deets of provenance--this is the problem with library books as opposed to gathering everything unto yourself like a crazed magpie), Master and Apprentice, by Claudia Gray (without question one of the number-one Star Wars book I've ever read) probably more Star Wars books that aren't springing to mind at the moment. Dang.

Still got some of the comics I had checked out from the library plus a couple more books, those will all be next. Yes, at least one of them is a Star Wars book.

*

Let me just say that these new Star Wars books are fucking great. Fucking awesome. Some are better than others, the adultification of a couple are a little uneven and just slightly cringe, but all of them are inventive, fresh, daring, beautiful, fun, and fucking awesome. The Thrawn origins and the Alphabet Squadron trilogy were the absolute cream. 

Master and Apprentice was unbelievably pleasurable, I could barely breathe for joy reading that mother. It was pure love letter to everything I adore about prequels-era Star Wars and Star Wars as a whole (except Rebel stuff, evidently), and Qui-Gon Jinn and Obi-Wan Kenobi have been my favorite Jedi for the longest time. Kanan Jarrus, Ezra Bridger, and Ahsoka Tano have more recently risen to these great heights in my heart; Legends Jedi are a whole other tier. My relatonship with Luke has always been complicated, though his greatness in both Legends and Canon is undisputable. Shadow of the Sith was an excellent bolster to his new pedigree, and I loved him in Last Jedi and Rise of Skywalker. He's somehow never been my favorite, but they have accomplished something remarkable with Luke Skywalker, not to mention Leia's unbridled dopeness.

Anyway! Claudia Gray's Qui-Gon is a masterpiece. A virtuso inhabiting of the character that was some of the most solid, believable, gorgeous, human writing I've ever been struck by. 

Blessings! Blessings, all of you! Dang. Gotta read 'em all, man. Gotta get my own copy of Master and Apprentice

*

Ok cool sure yeah I love Star Wars so much WHATEVER BYE


--JL

Wednesday, April 10, 2024

#407

Mentioned it as part of my routine before today, but Wikipedia's front page is always so good, so nearly exactly what an actual page of real news and piquant selections of data should optimally be, that I'd like to recommend it again. The last couple days have been particularly flavorful. It's been five years since we got pictures of the black hole! How time screams by us at the speed of time. That's why I check many different wiki sites at several different times of the day, every day. It may amount to community lore, but I care about that very deeply for its own sake and plus, I think your chances of looking at facts are pretty good despite occasions some people just making up huge chunks of Russian history and geography and posting on main and it's up for years.

*

As I've intimated, awhile ago I went to the library. Well, a bunch of times lately; I refer now to the second visit of this recent cluster. Got the second season of One-Punch Man, which I think delivered at a pretty advanced level considering a whole different studio was attempting to reach an insanely high bar, but no, it did not shatter the very firmaments as did season one. It's kind of funny: they made it pretty much perfectly, just not as beautiful or powerful simply because of the nature of the part of the story they had to cover. Would the original studio have succumbed to sophomore slump and done something similar if not practically identical? Entirely possible, seen it before, and I would place that idle bet for no stakes on this occasion. But I didn't even come here to write about any of that. 

The other DVD I got was Pokémon the Movie 2000: The Power of One (also known as Pokémon the Movie 2000 or even Pokémon 2000; in the original Japanese [a different movie, as I understand it--guess we had to change everything to make a dub in order to make sure our powerful, erect American values do not become diluted with a sense of community or interdependence. Well, they didn't manage to fuck 'em up too bad] as Pocket Monsters the Movie- Mirage Pokémon Lugia's Explosive Birth--and last, most officially, and easily greatest, Revelation Lugia) which was--except for the suboptimal addition of Chosen One tropes and the apparently mandatory and always-especially-stupid-in-children's-media Straight People Shit--every iota as incredible as it was when I was eleven years old. The first three Pokémon movies changed and defined my life in many ways, and it may be that aesthetically and philosophically, M02 is the tallest of those three foundational peaks. What a movie. What beauty and power. The music! The fucking music! 

Ah, I wept and wept. A priceless treasure, a perfect homecoming.

*

Something important I don't think I've gone over: I don't have to respect jealousy just becuase I don't experience it and most people do. I suppose it is only natural, but jealous people have tried to make me feel like I'm somehow the problem for not comprehending their bullshit.  I'm not saying it makes me more or less morally sensitive, I'm not saying it to put myself above people--it's just how I am, and if it were up to me almost nothing would be a big deal. But everything is such a huge screaming deal. So many of us taking actual pride in poorly formed attachment, building legal and moral codes and whole societies around weaponized trauma.

For me, the experience is compersion. When my friends and lovers are getting and experencing love from other sources, I feel gladness and vicarious satisfaction, even further, a kind of triumph--more love in the world is better than less, more knowledge and more intimacy between more people is a beautiful thing that makes the world better and closer and more real, more love for those I love is a bliss and a victory over hatred and bad feeling. More love for me, too, is better; I reject moral formulas that assert it is my duty to be monogamous. Why should I? For the sake of keeping property disputes legally tenable? Because it's somehow better than being free? Fuck you. If that were true and tenable, you would not note that every single culture that has ever owned shit and used marriage is fucking obssessed, fucking consumed with the narratives and consequences of adultery. 

It is easy to recognize that it would be painful to "lose" someone to another lover if I felt that I possessed them, if I set up my psychic and spiritual life to the degree that I need another person to focus their life and resources (including the lion's share of their attention and all their possessions, etc.) on me, personally, like I'm the be-all-end-all, but it's hard to retain my empathy when it seems clear to me that maybe hewing to such a position would be my own fault because it is just fucking stupid. That's not how my marriage is set up, and here's a groundbreaking concept: you can set up your own marriage however you want it. Handcuffs are available; don't use them myself, but if you choose to, don't act surprised when they chafe and demand escape.

Maybe you should never in a million years think you can own another person to any degree. Maybe that's what's fucked up around here, not the idea that love is bad when it doesn't look how you want it to look. Because that is your problem, not mine, and even though you have no right to make it my problem, it often is. 

All right, it's coming out of me, can't help it: fuck you jealousy-having motherfuckers. I'm so tired of dancing around you and your petty little fucking terrors. Fuck you. Stick your courage to wherever you can make it stay and understand that no one owns anything, that ownership is a lie, that everything is a gift and everything is rented and to imagine that you possess something is to lose it in that moment.

The story of Krishna and the milkmaids. Look it up. 

Finally, if you are monogamous, and jealous, and happy, or angry at me, great. Good. I'm glad. Be yourself and do your thing. Just don't fuck with me. Just leave me the fuck alone if your life is so great or if you don't actually have a problem or if you do and you just want me to be nice about it (I am, in praxis, nice about it. But this is my ugly space, where I can vent my savagery at will). You don't see me running around trying to make your shit illegal or morally and socially disgusting or whatever, even though I think it is in fact gross and damaged and stunted and the province of spiritual cowards. Despite that, letting you be yourself doesn't fuck me up in any way, shape, or form. Don't see why my being myself should fuck with you so bad. 

*

Hmph. Was hoping for a more cheerful overall tone. So, let's just keep going. 

Books that I have checked out from the library lately include more books about Admiral Thrawn, the rest of the Alphabet Squadron trilogy, various and numerous other Star Wars books, and the following graphic novels:

Roaming, by Jillian Tamaki and Mariko Tamaki (they are cousins)

Joe Death and the Graven Image, by Benjamin Schipper

The Sons of El Topo, by Alejandro Jodorowsky and Ladrönn

*

The state of the household in time and spans of life is of interesting parallell at the moment. There is an older man and a younger man, an older cat and a younger cat.

Me and the older cat, the deaf one, you know, our respective domains of dome hair and face fur are beginning to thin, but our habits remain in place, our energies run high as yet, and our muscles carry on doing everything we've ever asked them to as easily (usually) and sometimes exceeding prior levels. The peculiarities that come with age are manifesting themselves, but we are still in our prime. These are lean and watchful stages of our numbered days, running around and flexing because we sense these times are the midday times, and before too long we must begin the afternoon of our lives. She's a crazy bitch and I'm (as amply evidenced) pretty much a nutcase. That too is an alignment we share, along with attending to careful analysis of our own bowel movements. 

The younger are at the indolent and uncertain times in the twilight of their youth proper. I have come to feel most uncomfortable being more specific than that about people's lives in this space, which I think is a good and important boundary even if it leaves certain portions of my life occluded. Well, I try to be as honest as I can, but if reading American Elf as it was updating after it was free through to the end and reread in total as many times as I had the chance to before it got paywalled taught me anything, it's that protecting people and your own safety is as high a concern as aspirational levels of honesty, truth, performative struggle, and precise self-portrait.

Suffice to say that the parallell and its contrast to where the elders are is as complete and amusing, as poetically feline as you could wish. 

All of it is laden with a cusping, powerful feeling of change; the world is, as ever, transforming, and things are building toward a great series of events which will act as one of those hinges or gravity wells of history--again! Last time seems like yesterday, or four years ago, or almost every fuckin year I've been alive, and the whole century prior, and every day the buzzing hive of human history sang with activity. Spring is acting on all four of us, and the vernal energies play havoc with the status quo. 

Anything could happen! Wow. It's always true.

*

Listened to a couple of old Robin Williams standup routines yesterday on a whim. Something made me think of his 2002 HBO special routine, which was a staple for me throughout middle and high school, and I wanted to cruise on back; hadn't in over a decade. Also listened to his night at the Met recording from '86.

Man, I felt so at home. That dude is such a place and time and sense of things. His work is. He is. It is undeniable. Blessings and blessings and blessings and crack the fuck up laughing about the bullshit. Fuck it. Thank God. 


--JL

Thursday, March 14, 2024

#394

Positivity! 

Ugh.

So part of the big issue is that I find mindfulness shit, positivity, good-vibe talk a raft of utter nonsense. The mind rebels. That's just a natural reaction, like a hedgehog curling up into a ball. 

Happiness is real. Joy, jouissance, contentment--though transitory, real. The world is certainly full of vibrations, some pleasant, some painful. That other stuff up there makes no sense at all, and even the stuff in the first part of the paragraph is often mishandled, misrepresented, and used as a bludgeon.

But who cares! You gotta try to look on the bright side, because that's where the light is, etc. 

*

Aku. Soku. Zan.

Despair is an evil. That, if nothing else about evil, is true.

But in having overcome it, there is the greatest triumph in life, which would not be without that which had to be vanquished. For hope is meaningless without despair. Faith is nothing without the darkness that only faith can lighten.

*

We must seek relief in these paradoxes, rather than allow ourselves to be tormented.

As they say, the only way out is through.

*

Another part ofthe big issue is that I can see where my relating to the world went wrong, and how the dysfunction is operating on my spirit to make me ill, and the way my mind contributes to and exacerbates the problem, because it is without guidance, and there is nothing more dangerous to itself than a machine without guidance or whose guidance is compromised. 

In short, I am struggling to be in the world as-it-is, strangled as I am by my attachments to the world as I want it. A beautiful but nonexistent phantasy, which my current transfixation in an I-I mode of relating with the world serves only to pain and paralyze me, preventing me from relating with the You of the infinite, the I-You relation which is being-in-the-world and being-with-the-world.

That Martin Buber has some useful thoughts, boy, I tell ya. I'm out here trying, Marty.

*

Why not, as I sometimes say. Since I bring it up, these things I'm reading, perhaps we are long overdue for a list of books I have read. It's been a long time, but I have played a HUGE amount of videos game instead of reading consistently, so perhaps it won't be all that onerous.

You will notice an increase in Star Wars books. Watching Star Wars, all the Star Wars, every bit of Star Wars I can look at, has also taken up a lot of time. The books are relatively recently read; I've been relying on the electronic hearth quite a lot, as I say.

Anyhow. As typical, presented in no particular order.

Star Wars: [Alphabet Squadron, by Alex Freed; Thrawn Ascendancy (Book I: Chaos Rising), by Timothy Zahn; Phasma, by Delilah S. Dawson; new] [Young Jedi Knights: Heirs of the Force; Shadow Academy; The Lost Ones; Lightsabers; Jedi Under Siege; by Kevin J. Anderson and Rebecca Moesta (reread)]

Peanuts: As You Like it, Charlie Brown; Peanuts 2000; Play Ball, Snoopy!; What Makes You Think You're Happy?; The Wonderful World of Peanuts; Peanuts Treasury; Peanuts I: 1952-1955; by Charles M. Schulz (reread)

Calvin and Hobbes: Attack of the Deranged Mutant Killer Monster Snow Goons; Homicidal Psycho Jungle Cat; There's Treasure Everywhere; The Complete Calvin and Hobbes Book Two; by Bill Watterson (reread)

Ducks: Two Years in the Oil Sands, by Kate Beaton

The Awakening, by Kate Chopin

I and Thou, by Martin Buber, translated and introduced by Walter Kaufmann

Shadow Life, written by Hiromi Goto, drawn by Ann Xiu

*

It can be assumed that if I mentioned a book I've forgotten to list here, I finished it. Also I read a bunch of 19th century short stories by various peeps I don't feel the need to list out. Also large chunks out of various textbooks.

*

Ok. Better. We're struggling towards it. We're approaching some kind of thing here. We are alive, and we are crawling towards Jerusalem.


--JL

Friday, January 5, 2024

#361

Didn't post yesterday--not an excuse, this spate of posting has nothing to do with a commitment to daily posting and everything to do with how much I feel the need to type, generate, propagate. Working on a novel, begun and shelved in 2019, back on the wire and the lightning's running up and down.

Some quick reports, then, and back to that.

*

After finishing Jailbird and reading Mother Night again (fantastic--expect a post about Vonnegut and the concept of uncritical love, which I'd forgotten I read about in that wonderful, sad little book), read Stephen King's freshest and latest, Holly. Reading it reminded me how I highlight and underline albums and bands and songs and books all wrong in this blog, but then again, it is internet. Gotta go with what I think looks correct, instead of what is the actual rules.

Anyhow Holly was a pretty fuckin' great little detective burner and as she has since her miraculous conception, Ms. Gibney fucking rocked out with all her shit just hanging loose basically everywhere, just a hot mess. She is the undisputed queen of the screen and thrice-crowned baller of the reasoning scene.

He also says some very true things in it about poetry, among them some things I've taken for granted about it for a long time but am glad are present, and some that I think of as rather silly, but then, all poets are bound to think of all mere talk of poetry and every other poet as rather silly in one way or another, no matter how privately or delicately. 

*

Stevie K's made his way onto the blog rather a lot, as I think back, and there is much excellent reason. If a book about the craft can set a writer on their path, then On Writing is certainly my dinghy downriver. 

That alone is ponderous, but considering that my first unambiguous, uncensored, completely adult presentation of racism, sexual violence, and economic violence as they operate in a microcosmic representation of the United States came at the age of twelve from my very first King novel, Bag of Bones--an (I feel) underdiscussed and currently (perhaps?) unpublishable novel that is nonetheless perhaps one of three or four of the clearest indications of what can only be called King's genius*--he has had a tremendous, definitive impact on my worldview and my reckoning of fictive power right off the starting gun. 

*

On a different note, it's nice to be reading old Vonnegut, who will grant us no new books evermore, and fresh new King at the same time. I read them both at the same time as a teenager, and as discussed, he who has found the bright blue tunnel down to the Afterlife definitely had his say in the kind of writer and person I am too. 

Rereading Galápagos now.

*

My dad got me some books this Christmas, Holly among them, even though he really shouldn't have despite the incredible holiday savings his membership entitles him to. I get too much stuff from my folks, they're too nice, it gives me the guilts. A very dope problem to have, though. I think maybe they contribute too earnestly to the commodities economy, but that's its own classist bullshit probably and who the fuck am I to judge my parents anyway. Who cares, ultimately. New books give me a tremendous hard-on, as you well know, so that makes me a hypocrite on top of everything. 

Against Technoableism: Rethinking Who Needs Improvement, by Ashley Shew

You Are What You Watch: How Movies and TV Affect Everything, by Walt Hickey

All the Light We Cannot See, by Anthony Doerr (a special edition, I guess? It's kinda nice, with good creamy pages and that type of cloth hardcover without a dust jacket that is durable and can display hi-res images and gold emboss. I don't even know if what I'm describing is even extant in my collection, besides this example. Anyhow, I did not choose this, my dad put it in my hand, as is evidently his sovereign right. Maybe it's now a streaming TV show he is watching) 

*

Man, I am just full of opinions lately, and all about puttinem on the blog. Opinions cause so many huge problems and are so contradictory to any coherent good sense or logic that I try not to have em but man: I fuckin gottem.


--JL


*It is my held notion that King harbors three or four distinct geniuses, nevermind the wizard and the warlock. We contain multitudes; it is King's abiding, frightening, and electrifying power to manifest--or birth--several clearly defined aspects of his being for us to see the world through simultaneusly, like a prism spiltting light refracted by further prisms. It's a thing he has in common with a few great writers and some shitty ones with vision. Naturally, I aspire to my own brilliant spellwork, and ply my trade in deadly earnest pursuit of that thing called a fucking great book, a fucking genius book, feeling very conscious of his presence and his lessons along the way. 

Some more opinions, why not

Wednesday, December 13, 2023

#351

As I moved a notebook on my desk just now as I went to type, it fell open to a page with some of my handwriting on it, which I read out of that momentary curiosity that such events may trigger. Dimly, very dimly remember writing this, because I thought when I heard or read it that it was very beautiful somehow. I guess it is. I mean, I still think that, now that I relax into really thinking about it rather than wondering so avidly what it means, you know? The urge to decipher and decode can indeed obstruct true meaning betimes.

Anyway, this is what I wrote:

*

Salt Marsh Snakes

drink only rainwater

*

There you have it. It makes sense. It's what I would do, living in a salt marsh. Straightforward stuff, just what poetry is made of.

Oh, I bet it was in Wikipedia's little Did You Know?... section that they have on their front page. I look at it most days. It's almost always got fun stuff to perceive and think about.

*

It should come as no surprise that I pretty much fucked this semester up. Stopped attending two of my four classes, managed as little as possible to scrape decent grades in the other two. It's been so much illness and pain to deal with. I didn't even mention yet how fucking sick I got after Thanksgivng, I was slightly deliriously afraid I might die at a couple of points, like how it gets sometimes when you're proper fighting it off. Fucking goddamn it all, though you know? Fucking school, fucking grades, fucking bodies, fucking societies, fucking shitting World War fucking III and multiple motherfucking genocides and fucking the total collapse of rational, cohesive thought thanks to playing around with fucking computers. Fuck it, that's all. Just get it the fuck fucked. Fuck that shit. Fuck that. I don't want to give a fuck about any of that fucking shit right now. 

So fuck it! It is all just ass, and the shit that issues thence perforce!

Whew. That's feeling a little better. 

*

To microquote Kimya Dawson's music lyrics, sorry I'm a deadbeat friend. That's a powerful non-sequitur, needing no elaboration or specification. Happy to use it as a springboard to the next thing, which has nothing to do with this.

*

Don't believe I mentioned reading Stephen King's Fairy Tale--it was a heavy hitter. Putting it on the same racetrack as Eyes of the Dragon, Fairy Tale laps the poor old beast and stays winning. King's still not quite my favorite hand with elements and structures of  what might be termed high fantasy, which is why to this date I have never been able to stay with The Dark Tower. But the fairy-story elements were very powerful here, the included elements of the high fantastical ennobled for being more authentically Stephen King, the horror more horrible, the beautiful more true. Of course it is low hanging fruit to say the man is older and has read more books, but that's only part of it. It is a true modern fairy-story, which I believe to be a spiritually advanced accomplishment. Very good work out there. Gives a person some hope.

Also reread Breakfast of Champions, the Kurt Vonnegut book that really got me on that particular tip for serious. I read Slaughterhouse Five for school and loved it, but it's the one you grab under your own power that has more power to stick with you and define you, and so it has been. It was also interesting being reminded how much of the insight on the world around that I have presented people in my adult life came straight out of reading Kurt Vonnegut to completion as a teenager, before he was dead. Refreshing, these breezes from youth, and strange. I'm rereading Jailbird, now. Maybe Galápagos, one of my most favorite books ever of all, after that.

This is yet another in an increasingly criminal list of non-sequiturs here in this post, but astute (and almost frighteningly pedantic, with what I would term abnormal levels of recall) readers will have noticed that I posses the following three books, acquired in order: The Penguin History of the World, A History of Europe, and Europe 1880-1945, all fully or mostly written by the historian J.M. Roberts. The nature of this constellation pleases me greatly; a set of lenses, increasing in magnification, and it is a great pleasure to imagine the lenses switching back and forth, the overlap, the gained and the lost from the coarse grain to the fine and back again. I like to think about all my history books like this. Holster full of lenses.

This has been your book update, you filthy, reprehensible bibliophile. I mean that like a screwed-up, violently expressed paraphilia, not the family-friendly way fuckin' society, fuckin' librarians would have it. Pft. I'm gonna put my dick in one of my books immediately

*

Ah, it would have been great to end the post there. But I've been advised not to leave jokes about my own personal sex stuff up where anyone could just quote me out of context without leaving myself an out. My sex stuff is pretty boring, frankly. Like...not vanilla, but plain yogurt. Kefir. Stuff like that. Pouring liquid yogurt into gaping assholes, mixing it with lactation, pouring it all over the floor and rolling and thrashing around like you're having a seizure, that sort of thing. Nothing weird. 


--JL