- A post, once begun, must be either posted or discarded within 24 hours, unless I am working on a special project that went wrong. Special projects are subject to the same constraint if they go well, but I reserve the right to hold back certain elements of special projects when needful, such as the infamous Cutting Room Floor post. A good example of projects that went well and produced each of its posts within 24 hours are all the special projects undertaken last year: Factually Masculine, Factually Sportsmanlike and the Videos Game Saga. Also Factually Musical 2023.
- After I hit post, I have 48 hours to make content edits, cuts, and additions. After that, the post is final, unless I missed spelling errors or admit to myself that my syntax got completely out of control. I type a lot of words correctly, so I try not to be ashamed, but I find spelling errors all over the place even back to the first one hundred posts, which have been subject to this type of aftercare probably a dozen times. The problem, according to science, is that I already know what it says, so my brain just openly tricks me about what my eyes are seeing. Truly needling.
- Very occasionally I will give myself permission to add postscripts, or more than one, to a post. Sometimes this is because the last part of the post simply calls for one and it is part of the original post and other times I am formally making the exception and postscripting days or years after the fact, though these are, I think, usually labeled "edit" for clarity. Hopefully all of them, but I may have slipped.
- I can't just go deleting posts even if I come to think they are ghastly and irresponsible. The blog is meant to be a type of record; it should thus be honest about my missteps, rashness, illogical conclusions, excessive candor, terrible jokes, resolution-breaking, tantrums, and splits with reality.
- Read the disclaimer! It is on the sidebar, labeled Nutritional Facts. Over there →→→→→
- This blog has disclaimers for a fucking reason. I am a truly confused man who has read far more books and internet than is healthy for a brain and played way too many videos game hours completely alone. I started out pretty weird, became truly ruined, and you should absolutely not take my word for anything, no matter how compelling I am--verify, dammit, consider but do not just swallow. I would also like to not be rejected out of hand, but if you must pick one, go with the latter, even if it infuriates me when my ego is waxing. Also go ahead and remember that I am a dry alcoholic that has hallucinated extensively using chemicals and fungi and I smoke way too much weed. This can sometimes agitate my paranoia, as is well-known.
- It is difficult to tell the difference between my jokes, my hyperbole, and my seriousness. This is by design, and it makes everything more difficult for the reader, but this ambiguity is important. All honest thought requires negative space and admittance to ignorance, uncertainty, and doubt. Sometimes something is a joke one day and deadly serious the next, or different readers take different jokes and imperatives from the same screed. Thought is wobbly stuff, and that is to the good, I think--but all the more reason to READ THE DISCLAIMERS. Also if it is any consolation living with my own mercurial nature and mindset can cause extreme complications on my end, and I try to give you the least painful version of that experience. Usually. Sometimes I'll just straight up tell you that God fucked up making the universe and human beings in particular, and sometimes I'll just straight up tell you that it is perfect with every quark in its place and unfolding exactly as it should. Both are true and false. Every time you wake up, you are a new person in a new world, or everything is exactly the same. Etc.
- Special note about current events posts: they are the bane of this blog and the cross I bear in this life. I hate them and I hate the compulsion to even think about the things that form their genesis, let alone actually writing them out. It is a dark and fucked up evil twin to my love for history, and I formally apologize for it and for all its vile waste product. I constantly say that I am done making them, and I try, folks, but let me formally apologize in advance for the seemingly inevitable future ones.
professional word arrangements for the interpretative pleasure of discerning perceivers
Wikipedia
Thursday, May 1, 2025
#515
Sunday, April 6, 2025
#507
Well, I guess the ride is over. The ride, in this case, is--I am pretty sure--having Factually Pointless scraped by foreign crawlers a thousand times a day or better. Specifically but not limited to hits coming out of Sinagapore and Hong Kong. This started when I made the crude mistake of using reddit--yes, pathetic, cringing, sad of me--to try and boost a few pieces, get a new reader or two. Being unemployed can often lead me into these terrible, incautious, and bad-aesthetic decisions. This did not prove efficacious in a real sense, but in a different sense, it certainly made the numbers go up. Now they are zero, at least on new posts; looks like scrapers are still sneaking into the old ones.
The end of the tale, such as it is, came in the form of a couple hits from what appeared to be a google admin, followed by a dramatic throttling of this false and likely pernicious traffic. I've done a bit of research and it seems difficult to keep hungry crawlers out of your stuff, and this is, in a very real sense, google's stuff I'm typing for them. Right? It's not like I don't have certain rights and responsibilities as regards the content of these text fields, but also, google hosts them and has its own rights and duties and best practices. So thank you, google admin, be ye organism or daemon. It was fun to pretend that my blog was useful to somebody for something, but it's definitely less creepy now that everything is back to normal.
Normal, I am now convinced, consists of random pings and a single friend. I think even those are gone now. My blog is zero views for the last three posts now.
Seemingly in contrast to what I say about the product of LLMs, I don't really care if my work gets scraped or by whom, really, but I guess I'd rather whoever has a more ostensible claim to the rights of it get the benefits. But who really knows whose rights are whose? Not my fight, not my problem. Just hope google itself is getting some value out of all my labor. I guess value for anyone is something more than nothing, which is basically what I get out of it beyond the intrinsic and sufficient value of typing all this to amuse myself.
In perfect isolation, it would seem. Here, on the vast and thrumming net, it would appear that, identically to out there in meatspace, I am but a man without a country, allowed to take up space and fill certain voids in the absence of an observer effect. Which is cool by me, and if it isn't, I ought to make peace with it, eh?
*
Man, I hope no unsuspecting sap tries to learn English from anything trained on my words. To put it lightly: I did not, assuredly not, attend Oxford college. You are not going to want to show someone you speak English with the shit I put out. I write specifically to piss off form/grammar cops, bosses, and government officials. You fucked up; unless you want to sound like a fevered, spasmoidal ululator on a mission to become completely impenetrable to anyone with clout or decent sense.
--JL
Thursday, March 6, 2025
#494
The digits of today's excellent post number, the number 494, add up to seventeen! Yes. Yes. That is fantastic.
Probably it is Sesame Street what made me think numbers are concepts you should ritualistically celebrate through art and a kind of meditation that hovers between analysis and worship.
Thank you, Sesame Street. Without Jim Henson, who would I even be? It's a profound question. He stands tall among the cultural progenitors of my psyche-forme.
*
It amuses me to imagine some generative language model being used to offload cognitive labor somewhere making some poor individual suffer by trying over and over to make "psyche-forme" a real thing that a psychologist or someother might be using seriously (unscrupulous users would probably be happy enough to roll with it). It is merely one my own many improvisations upon a concept broadly used and applicable in the cultural continuum, which is as always and along wih everything else on this blog presented in good faith for honest use and also as a pointless joke. This kind of coinage is prevalent enough on this blog that it may be quite difficult someday to tell what is common usage all around me and what is merely my proclivity to play around with things, at any rate if Factually Pointless is among your primary documents.
Well, maybe, maybe not. One thing I think it is safe to have confidence in: I have correctly and incorrectly--in the latter instance almost always for comedic effect!--deployed a great and manifold variety of real words on this blog, a vast and legitimate array, and I think this lends a deal of credence to my personal modifications and inventions.
Now, as to the efficacy of these arrangements, their power, beauty, and pleasure-giving ability--well, hash it out amongst yourselves, dear readers. For my part, it is my part to be transfixed, to be conduit and mouthpiece whether I will or no, essentially, and my meta-input should only ever be considered a kind of curiosity, probably. I know I have a separate, closed drawer in my mind for what authors and artists say about their own work; important, but just as important that it not be mixed in with any other paperwork at all.
I have also used a lot of metaphors in my time on here. Some approaching the reader more obliquely than others, it is true.
*
Painting the bathroom pink. Might do personal fitness instruction for an elderly person. If I could earn even 20 bucks a week doing that I'd call it a great start to self-employment. My outlook is pretty favorable towards extremely incremental and perhaps incredibly uselessly slow gains. I am neither harried by impatience nor goaded by ambition.
As far as I'm concerned, I am perfectly happy to live and die in total obscurity, having done the least harm and as much good as I could do with my own two hands with what's in front of my face, making art the whole time--my art, without compromises because why should I.
*
Thank you for reading my blog post about me and my thoughts and my blog. Thanks. Hope you got a smile or a thought out of the deal.
Have a the best possible day under your prevailing circumstances.
--JL
Tuesday, December 10, 2024
#482
- are some things, but
- I won't actually show them to you
Friday, January 26, 2024
#370
Reflecting on the origins of this blog: a way to strengthen the case for purchasing one of the texts I was putting out on kindle direct publishing, something that receded quickly in importance, surfacing occasionally and even recently with the completion of The Tetrahedron, but which I have decidedly abandoned in the interim. It has never helped me sell so much as single copy of any book, which is lucky because the books as objects are not that great. I made a lot of mistakes because I am an indifferent jackass and did not repair them all for the same reason.
Getting them off the store and closing out my account is bothersome and I haven't done it yet, but I will. For now, The Tetrahedron and my first collection of short stories remain, as these texts and the books that contain them are relatively unblemished. Anyway, the blog is as important in its own way as what I have heretofore referred to as my serious, actual work. How did the blog come to be, and how has it become what it is?
*
Well, first, what it is might be the purest and most clownish form of staring into my own navel. A friend, not disparagingly, refers to it as my diary, and I have jokingly referred to myself as a professional diarist at some point. I guess it is both these things and I sort of am, but because I set myself very specific constraints and aims when I approach this text field, and have generated work that I find worthwhile thereby in a literary sense. The public nature of the act lends writing a high-wire act feeling which galvanizes me, and has driven me to produce far more involved and dense prose than I ever thought I would give away for free, more baring of myself as a person than I thought I would ever dare to make clear--and now it strikes me that this corpus, unwieldy and patchwork though it may be, is a valuable contribution to the "free" content available on internet. It pleases me to have given this away and to have it stand, free to all, and I am excited to continue.
Initially, as I said, it was something more on the order of a free sample cart, which would entice readers into paying for my stories and poems. I was out of work and holding onto a bunch of credit card debt accrued over the preceding three years in an effort to have some quality of life and treat my partner right, which was simply outside of my means. This situation cut through my distaste for commercialism and my horror of having to try and sell myself to other people.
Longtime readers will remember that I used to write a lot more about the weather, about walking, about the sky. These things are still important to me, but they made their way so insistantly into the blog because I was walking five miles a day to work and five miles back constantly in an effort to accrue the capital to work off that debt--almost $6500--back to my dad, who had paid it off for me so as to rescue me from the interest. It took a long time and a lot of work. And in that time the blog, too, was a sort of life preserver I could cling to when I had lost my boat. How did I come to lose a boat? Hard thing to lose. It's basically you; I mean, we are our own boats on the sea of this existence.
*
Not long after I broke off my first engagement, leading to the fraught, complicated, and misunderstood end of that relationship, I sank into despair and the beginnings of familiar drunken oblivion. The end of the engagement, the putting off of marriage, I had wanted, for many discrete and interconnected reasons--including guilt over that debt, which she knew nothing about, I suddenly realize. Hilarious.
Losing my partner, that I most certainly and firmly I did not want. I have, in other posts, said that I ended things, and that is a simplified version of things but not the truth. As we would both learn, you cannot always get what you want, not even when you were so close and everything seemed so great. Sometimes getting what you need means losing what you want, and vice versa. These are simple things every child alive experiences over and over, and we all spend our whole lives learning it again, because maturity may or may not be a myth, but the notion that it comes in stages with the crossing of abritrary thresholds or grows steadily with time is certainly bullshit.
She was a great person, a brilliant person, wonderful, iconic, and I am certain she still is. I was a fool, broken and falsely mended. Brilliant, if you like--she thought so, and that must count for something--but any alleged greatness and wonderfulness I may have shown was the imperfect product of a vast effort on my part, predicated and founded on a lie. More on her and that another time.
*
A scant couple of months into my aforementioned despair, I found myself gravitating towards a particular customer at the place attached to the kitchen where I worked. Something about her; her extremely conservative, masculine clothing (this works for me--a lot of things work for me--though I am a being of fickle appetites, and what works for me in one person may not work in another), the way she carried herself and smiled and spoke to me, though calm and ordinary, unmistakably intimated extremely great sex. I began to feel that the time might be ripe for a passionate encounter, to remind me that life was not over and to get me back into some form of regular existence. At least, so I reasoned to myself, at that time.
Also ever since I started having sex, I've had a problem with stopping for any length of time. Weird!
So we smoked some weed once when I got off work, this led to that and the other thing, and couple hangouts later we were fucking savagely on her apartment floor, eminent examples of the frenzied, thoughtless beasts we cerebral chimpanzees so easily and joyfully become in the throes of that seal-fresh-popped sex.
Our thing wasn't romantic at that stage, and much grief would have been saved if we had possessed the critical wherewithal to keep it that way. That is not how life tends to run its operations, I have found.
Grief, it turns out, exists to be spent. Its veins are there in the bedrock of things, like seams of metal waiting to glimmer when the stone surrounding it gives way to the probing of human beings in pursuit of whatever they think it is they want, to be torn out of the earth, twisted into new shapes, and passed around as currency or beauty or utility, to be alloyed with other volatile, gleaming things pulled out of the darkness.
It's a fucking hell of a thing to be alive, is what I'm saying. I'd rather stick to bragging about how incredible she was at giving head, the only person who has ever brought me actual pleasure by playing with my balls at the same time; about how we fucked in her apartment and my house and in Alabama and Florida and the mountains of North Carolina and in the duplex we moved into after all that, but grief eclipses these simple joys.
Anyhow. The sex was absolutely bangin'. Yes, she was, ultimately, a narcissist who made extensive use of me, and sensing this, I began using her to kill myself, to reduce myself down to something easily destructible. But while we were fucking, all of that was all right by me. Fuck drinking myself almost to homelessness, insanity, and death, I later thought. Prolonged intercourse with a narcissistic sex worker is the better slow suicide by far. Drinking is fun, but how could it ever compare to sex? Shit, most motherfuckers in this life learn to drink in hopes of getting to try sex, or get ahold of the fucker again.
*
She specialized in older men, particularly older men whose interest transcended the merely routine and sexual. She liked to be taken out, treated well, presented with gifts. She was a genius in many ways, a very masculine, Aspberger's genius, which permeated her personality and aesthetics. She was fascinated and passionate about illumination technology--flashlights. Dear reader, I know shit about flashlights and what the best flashlights can do that I would never have imagined previously. I have been in the workshop of a mad genius, whose technological breakthroughs in illumination have him in dialogue with national security agencies who wish to make use of his achievements.
She also loved knives and was into independent blacksmiths before Forged in Fire, especially that dude Liam Hoffman, and she bought one of his knives made from like decomissioned battleship steel plating and a mahogany handle salvaged from the same ship. She was into a ton of shit--crazy high-grade herbal supplements from Sun Potion out in California, highly advanced nutrition, such as powdered vegetables from Dr. Cowan (read his book about how the heart is not a pump; pretty good) and other biodynamically farmed produce (she was, as some readers may have alread recognized, educated in the Rudolf Steiner system), blue glass, perfect German water bottles made of tempered glass--glass was a thing, basically--structured water filtered through no-plastic systems, no-plastic everything except these indestructible bags, metal containers to keep shit fresh without plastic, especially trail mixes composed primarily of sprouted almonds and Turkish mulberries (she was Turkish), ferments, traditional earthenware vessels, turned wooden bowls, dark instagram with like the crazy comedy snuff movies and devastating injury reels.
Yeah, she was batshit out of her mind, but brilliant, with range most people lack. I wanted that crazy at the moment, and everything else she was offering. She took all the room I willingly gave her to drive, which meant I did all the driving. I served as her chauffer and aide-de-camp, essentially. Didn't have to work, she paid the minimum balance on my credit card for awhile (she had lots of money), and though I threw out the bulk of my possessions, we did hold on to all my books and shelves; in fair exchange, I cooked and cleaned and did most of the rest of the labor of living, drove her to whatever town she had an appointment in, be it profesional or optometric or to whatever store, and on whatever odyssey struck her fancy. It didn't matter. I was down. She kept me in weed, and it was on her indulgence that I began a three-year span of being high every waking minute. We ate basially exclusively amazing, clean, well-crafted foods. Most importantly it was great for awhile, running around to wherever every single day, never stopping to rest or think. She wasn't one to let the dust collect on her. We climbed mountains in North Carolina, checked out the Jim Beam factory in Tennessee, drove some of the Appalachian Trail roads, jumped into the Gulf of Mexico off the Florida coast, watched the surf lap the docks on the Saginaw Bay, screwed around for awhile in Chicago. We drove back roads and country roads, rarely using any highways. I got to know a lot of our home state and a few of its towns in new and intimate ways, wandering around, surreptitiously consuming marijuana, praying to myself as I wandered.
*
Sure, the way she was at restaurants, with customer service in general, was a kind of nightmare. There were warning signs, which I happily ignored, in how she dealt with having a problem with her landlord early on, which led to us getting a place together. A maneuver, in hindsight, but also a characteristic element of her being-in-the-world--post office drama, server drama, doctor drama, this bitch motherfucker that asshole--all to create the frame that she had been cheated out of what was her right by the incompetence or aggression of a fundamentally innocent workforce. I mean, the fucking entitlement of a narcissist in service situations--it's aberrant, but keyed into the routine. It serves them well because it breaks the social norm so completely by using its mechanisms legitimately, so no one ever has time to adjust--you are pinned in their deft manipulation of what ought to be regarded as normal.
She taught me finally how to deal with that, where to draw the indelible line that they can never cross. Draw it without passion, with a peacable smile, without letting yourself become drawn into the weeds or the particulars. Do this implacably, and they will recognize that they are known, and look for easier prey. I had a customer, long after after it was all over and I had done the first part of my processing, who hinted at me in our first interaction, which was very successful and normal-seeming--they always are, but it was something in the eyes, the smile, that spoke of having found a mark--that she was going to do the narcissist runaround.
The second time, the instant she became unreasonable, I drew the line. She didn't like that, and the change in her demeanor let me know that I had read and drawn correctly. She would have killed me right then, I wager, were it not for social consequences. And she never fucked with me again. She tried it with my staff, but I'd given out instructions to just come grab me or someone else who can hold their ground if I wasn't around. After a couple of instances coming up against the unscalable wall of unmoving politeness that I had built, she moved on to easier hunting grounds.
Yeah, I cuss a lot and talk dirty here. But that's because we're close, dear reader. In meatspace, I prize the burnished chainmail of my courtesies very highly. It is rare that I use my real voice in the real world--one only deploys armaments when defenses have failed to repel, or when duty calls and there are no other voices to be heard.
*
Most every narcissist knows that they're fucked up, but the arguments they are wont to craft for the case of everyone else being the fucked up ones can be quite compelling, and of course are ironclad to the craftsperson. They're usually instinctively extremely intelligent, and usually intellectually savvy on top of that. They know they're built different, and are dangerous. But they're not monsters or anything. They balance it with generosity (they keep score on this generosity, but they cannot help that) and other ameliorative acts, they do their best to be as human as they can be, just like most other people. They bestow, engage, educate, try to share joy. But they are fundamentally gatherers and hoarders, owners, and their feelings of safety are found easily in the wielding of power, over strangers, conditions (particularly economic conditions), and loved ones. And their successful wielding of that power can create feelings of nausea and guilt, which they combat by doubling down or making themselves more unbearable than ever, until they are rebuffed, and then, relief, more guilt, remorse, and editing the past to make the future possible because ultimately you gotta be yourself.
It's not anything any more sinister than most other personality types. I can personally attest to theit humanity running as deep as any other human's. But the trauma that they cause is acute in its own special way, and since I possess this trauma, my thoughts on the matter tend to be somewhat more rigorous and label-determined than my wont.
What's fucked up about my personality type? I'm easy to get along with but almost impossible to know deeply, keep my own counsel basically always, and disappear into myself regularly. I vanish. I do not attach myself to the lives of my friends or even my brothers. I am the wandering fetus, and I am a different kind of narcissist. We all are. The mainstream application of the term as it stands now is in reference to high-ability manipulative grifters who specialize in capitalizing on vulnerabilities and structural inequalities, which makes them good at gaining and managing power over people. We've had quite a few presidents and hundreds of other government officials like this. People like this often pop up at or near the top, in world history. It's just how it is.
Explicative, huh?
*
Later on, when things started to dismember and disinitegrate--she took a trip to Turkey and when she came back, the shine had worn off me, apparently--and the question of my finances became pressing and front-facing, I made the books out of my collection of poems and the stories, which existed as a group and had been shortlisted for an award and publication but did not make the final cut. I created the blog and began typing into the blog, as I said on the advice of the kdp website, which stated that a blog would help attract readers. Whatever, I said. And you can read the blog from the beginning for an obscure yet revealing account of my days from there.
You can pretty much tell when it ceases to be a mere exercise and starts to become a way of surviving, albeit practically against my will. Did Factually Pointless save my life, a little bit? I'm going to say probably.
*
Pre-hiatus and Post-hiatus blog, the hiatus being the entire year 2020 for reasons I hardly need detail, are two different works, it seems to me, as 2020 changed me quite as completely as it changed the world. We all went through a lot then, or at any rate the vast majority of us here on this planet. Since 2021 the blog has been more difficult for me, my ability to engage with it more sporadic, but this is shaping to be a standout year for Factually Pointless, and I am excited to bring these ideas to you, dear reader.
Talk about navel-gazing! Let us hope for something a little more stimulating to the general public tomorrow, dear reader, though I know you don't mind reading my diary.
--JL
Wednesday, January 17, 2024
#366
Tuesday, January 9, 2024
#362
Friday, January 5, 2024
#361
Didn't post yesterday--not an excuse, this spate of posting has nothing to do with a commitment to daily posting and everything to do with how much I feel the need to type, generate, propagate. Working on a novel, begun and shelved in 2019, back on the wire and the lightning's running up and down.
Some quick reports, then, and back to that.
*
After finishing Jailbird and reading Mother Night again (fantastic--expect a post about Vonnegut and the concept of uncritical love, which I'd forgotten I read about in that wonderful, sad little book), read Stephen King's freshest and latest, Holly. Reading it reminded me how I highlight and underline albums and bands and songs and books all wrong in this blog, but then again, it is internet. Gotta go with what I think looks correct, instead of what is the actual rules.
Anyhow Holly was a pretty fuckin' great little detective burner and as she has since her miraculous conception, Ms. Gibney fucking rocked out with all her shit just hanging loose basically everywhere, just a hot mess. She is the undisputed queen of the screen and thrice-crowned baller of the reasoning scene.
He also says some very true things in it about poetry, among them some things I've taken for granted about it for a long time but am glad are present, and some that I think of as rather silly, but then, all poets are bound to think of all mere talk of poetry and every other poet as rather silly in one way or another, no matter how privately or delicately.
*
Stevie K's made his way onto the blog rather a lot, as I think back, and there is much excellent reason. If a book about the craft can set a writer on their path, then On Writing is certainly my dinghy downriver.
That alone is ponderous, but considering that my first unambiguous, uncensored, completely adult presentation of racism, sexual violence, and economic violence as they operate in a microcosmic representation of the United States came at the age of twelve from my very first King novel, Bag of Bones--an (I feel) underdiscussed and currently (perhaps?) unpublishable novel that is nonetheless perhaps one of three or four of the clearest indications of what can only be called King's genius*--he has had a tremendous, definitive impact on my worldview and my reckoning of fictive power right off the starting gun.
*
On a different note, it's nice to be reading old Vonnegut, who will grant us no new books evermore, and fresh new King at the same time. I read them both at the same time as a teenager, and as discussed, he who has found the bright blue tunnel down to the Afterlife definitely had his say in the kind of writer and person I am too.
Rereading Galápagos now.
*
My dad got me some books this Christmas, Holly among them, even though he really shouldn't have despite the incredible holiday savings his membership entitles him to. I get too much stuff from my folks, they're too nice, it gives me the guilts. A very dope problem to have, though. I think maybe they contribute too earnestly to the commodities economy, but that's its own classist bullshit probably and who the fuck am I to judge my parents anyway. Who cares, ultimately. New books give me a tremendous hard-on, as you well know, so that makes me a hypocrite on top of everything.
Against Technoableism: Rethinking Who Needs Improvement, by Ashley Shew
You Are What You Watch: How Movies and TV Affect Everything, by Walt Hickey
All the Light We Cannot See, by Anthony Doerr (a special edition, I guess? It's kinda nice, with good creamy pages and that type of cloth hardcover without a dust jacket that is durable and can display hi-res images and gold emboss. I don't even know if what I'm describing is even extant in my collection, besides this example. Anyhow, I did not choose this, my dad put it in my hand, as is evidently his sovereign right. Maybe it's now a streaming TV show he is watching)
*
Man, I am just full of opinions lately, and all about puttinem on the blog. Opinions cause so many huge problems and are so contradictory to any coherent good sense or logic that I try not to have em but man: I fuckin gottem.
--JL
*It is my held notion that King harbors three or four distinct geniuses, nevermind the wizard and the warlock. We contain multitudes; it is King's abiding, frightening, and electrifying power to manifest--or birth--several clearly defined aspects of his being for us to see the world through simultaneusly, like a prism spiltting light refracted by further prisms. It's a thing he has in common with a few great writers and some shitty ones with vision. Naturally, I aspire to my own brilliant spellwork, and ply my trade in deadly earnest pursuit of that thing called a fucking great book, a fucking genius book, feeling very conscious of his presence and his lessons along the way.
Some more opinions, why not
Saturday, December 23, 2023
#356
Wednesday, December 20, 2023
#354
Cartoonists and other people who are understood to wield an inkpen or other such marking stylus in the service of their craft* get to call flair, shortcuts to mastery, and flashes of genius or insight nibtricks. Nibtricks are cool because they're like any other trick: learnable and fun to perceive. Writers are understood to wield pens and therefore get pen vs. sword though we are largely denied nibtricks (at least since the printing press, as discussed in the footnote), but that is because we are understood to wield language itself, and everywhere you go around the world it plays out in history: fancy talkers and motherfuckers with shit wrote down got ahead on everybody else somehow and stayed like that. Therefore, writers have always been rightly accorded with powers slightly more mythological, demented, magical, and demonic than those of other artists**. So, not nibtricks, but Tricks, yes, capitalized.
This is all by way of saying that I'd love to steal giving a tip of the nib to writers off Alison Bechdel, and maybe I already have (regrettably if so) but I don't want to, because she gets to hold a pen while she does it because she's a cartoonist and I'm on a keyboard here and even the stuff I scribble has to get typed eventually for people to see it so it feels pretty...I don't know. I don't like it for some reason, apart from that it's disingenuous.
Can't tip a keyboard (tipping a pen conceivably pairs with tipping a glass; a keyboard/laptop not so) and I don't want to give anyone anything with a keystroke, that's weird.
A clash of the keys? I'm cringing. But I'm cringing harder because once again I probably have already used it. Who knows. Maybe you, dear reader.
Whatever! All that has almost nothing to do with music at all, it's basically shoehorning in a bonus post. The actuality for today's today's post is of course
FACTUALLY MUSICAL 2023 continuing apace like mutahfuxin DEFORESTATION, baybeeeeeeeeeeee
s-s-s-s-sTrAp in
*
Not this last summer but the one before that I listened to a bunch of bands I used to listen to in the aughts and early teens, their old records that played to me as if for the first time and their stuff that had dropped and had its day in the sun of newness while I was doing other stuff. "Indie" is what we called them then; perhaps now I would be inclined to think of more of them as post-pop than I was then willing to concede. "Indie" means nothing to me now and the label has fallen out of use, so thankfully I don't need to think too much about that right this second, but the umbrella known as Pop has gone from being something I tolerated (sometimes sang along to) in the car during the nineties to something I invested energy into hating as teenager in the aughts to something I basically didn't think about through the teens and early twenties to something I think about a lot the last couple years, big thoughts, deep listening ears pricked and swiveled.
Part of it is that "Pop" exploded, or bloomed, and now I can think about a lot of exquisite petals or pieces of shrapnel without having to acknowledge stuff that used to serve as the hard protective material of a bud or shell casing, as far as I was concerned. I can think about electropop and pop-punk and swingpop and be listening to absolute bangers in each of those categories and the cross-pollination is completely out of control right now. It's fantastic. It's like a pile of tropical fruit basting in warm sunlight. Luscious.
Stuff just lately: a friend just this week told me about Caroline Polachek and I found her albums to be commanding performances and in some spots tremendously lyrical, top-notch writing. The algorithm did its job very well as it does on occasion and led me to The Long Winters, whose first album I would have very decisively said was "indie" a few years after it came out but with the vantage and power of retrospect I could playfully term post-grunge for emotional intellectuals and which I thought was incredible; their next two albums were increasing in popicity, the pulse quickening, the structure soaring and lightening like rounded arches stretching and blooming into fluted lancets. These albums also contained very good writing and as I have intimated, excellent architecture--good structures, solid foundations, happy bones, whatever I mean and whatever you get from that--and also very good guitars especially remarkable for their restraint.
Kinda more in the past: Watching the Popes Young and New a la HBO got me extremely into Sofi Tukker and a whole load of new music in that vein and connected to those sountracks, themselves a huge part of my listening time this past year. So stuff like KILNAMANA, Karmic, Lane 8, just tracks from the soundtracks, lots of songs from lots of people, most of whom I have yet to fully explore but whose songs I do know are so good. One of the best things ever was listening to everything The Fiery Furnaces ever recorded from start to finish--so fucking good man, all of it, always growing, always expert, just the best. Architecture in Helsinki, Stars, Arcade Fire, The Shins, Broken Social Scene, The Polyphonic Spree, Rainbow Kitten Surprise, that album Zach Callison made, Islands, King Princess, newer Tegan and Sara before they looped back round (awesome all the way, never stop), Her Space Holiday, and Yo La Tengo last because they're so low down on the list unless you start from the bottom, making them among the first!
Bands I remembered to check out or rediscover just from writing that: Say Hi to Your Mom, Wolf Parade, Someone Still Loves You Boris Yeltsin, Boards of Canada (not sure why this popped up), and TV on the Radio.
Also I want to mention Dirty Projectors for some reason even though I still wouldn't put them under the umbrella. Dunno what I think of them, even though I know at least one of their albums by heart. Alternative? If so, let me put Regina Spektor on here. It may be that a lot of music branded "Alternative" has secretly just been pop all along. This bears research.
*
After the first time I flunked/dropped out of college, "real" college that first time as opposed to community college ever after (lo, even unto now--I did so bad, I want to finish, but should I take a break? fuck) my dad took me home on the worst car ride of my entire life (a tall order) and then that summer he made me refurbish and repaint the deck out back of our condo. I did all the work slowly, in silence, listening to Delta blues and The Mountain Goats. I mention that because that's where I want to start next time. It'll take us places.
Factually Musical 2023 returns as the days go by, dragging my body through the streets
--JL
*including calligraphers but exempting writers, which is supremely ironic, but that's just how technology happened and we are alive at the time we are alive. This is important to understand when we try to understand how little we understand, especially about language and history. Anyway, like I said, we get the rep for shaping the very planet. The surface of this planet has a lot of three things: water, silicate minerals, and mythological potential. Writing is only ever mythologizing (because all writers can do is lie in pursuit of the truth [or just lie]), and myths off the dome are still much more powerful than the myths of science and technology. The pen has always been mightier than the sword, even when the pen was just a tongue and a bunch of memes. When you compose the programming language, you write the programming. It's devilishly, shuddersomely simple. It's so big and crazy. Example: somewhere in the world there is an old piece of paper with writing on it called the Magna Carta, and because of that piece of paper, you are probably reading this in English, in a world shaped by the implications of those words penned back in 1215.
Look, it runs even deeper: no pen, no sword. The monolith is code; code precedes tools.
Hey, it's been a little while since we had to have a footnote! How charming. We'll call this one Tautology Wednesday: Oversimplification Edition!
**For some reasone sculptors and architects, it's mainly like "Yeah, you did your job. What else do you expect? You want me to rub you down? Fuck off." Only nerds about sculptures really care about sculptures, even though everyone goggles at sculpture all the time. I guess because sculptures feel like they animated themselves, like the subject is the artist and the sculptor, who puts out among the the realest, enduring, and most tactile pieces of art that can be said to exist, is the most ephemeral and vestigial of interpretative concerns. With buildings, it's that laborers and craftsmen swarm all over them, and also we live and work in them, and therefore are rude and human enough to be more or less ignored despite their titanic effect on the psyche, despite the fact that they are the art in which we spend our lives.
See, if I make one footnote, the tempation to double down is very powerful.
Thursday, June 16, 2022
#304
We're going to blame the seeking of neurochemical stability and balance on the lack of posts and creative output in general. Guess also I should admit to myself that my office is not a super great place to write in yet, but making it better seems like too much hard work at a time when there's lots of other hard and necessary work to choose from and also I just want to chill a bit.
Back to to the brain chemistry: it's not strange being off everything, which is the strange part. I mean, because I'm the type of person who invests a lot of energy into the types and forms of bodily, psychic, and spiritual consumption they're undertaking in particular, I am concentrating on vitamin intake, nutritional supplements, and the timing of hydration and exercise with more zeal then when I smoked and drank--weed, tobacco; caffeine, alcohol. Once was a time I would eat a big spoonful of wheat germ for breakfast, have a small lunch at the Chinese place I worked at, and take the rest of my calories as brown liquor and foamy beers, smoking all the day and night. Occasionally, eggs, or a peanut butter sandwich. Didn't drink coffee back then. Started with the coffee in earnest when I quit drinking the first time. I would also drink cans of flavored sparkling water by the case, and smoke my cigs, though I'd left weed at that point as well. Even at points when I'd quit the rest, I'd stick with one; caffeine and nothing else at one point, weed and nothing else at another. But I haven't used nothing, nothing at all on the daily, since schoolboy days, basically.
Feeling fine, but at the same time, there are things I have to figure out how to do and carve the space for again. Writing is the main thing. A better chair, a lower desk, time, better organizing the writing space. In truth, I've done a great bulk of my writing recumbent, which is part of why my laptops tend to fall apart, but that's my most habitual zone. The most important ingredient will be time.
Truly, I am exhausted from merely this small effort. But I will nail myself to the duty of getting another one out tomorrow, The discipline must begin again.
--JL
Wednesday, May 25, 2022
#303
Been avoiding writing about much that is topical in terms of world events in the blog for quite some time. Admittedly, been avoiding the blog itself for a little while, which always happens when I move. It is more difficult for me to be productive with writing when my books are not in some form of organized shape, and they are not right now, but there's lots to do each day--and I'm not the best at prioritizing my most private inner needs, even though they're essentially the most important ones. For me. But like, dishes gotta get done. Kids gotta get bussed to school, and bussed home--at least, if I want a paycheck they do. Shit needs cleaning. Etc. All that is more vital to me, these days, than virtual spaces and distant lands. Also I feel driven to record more lush memories in this space, to make it more autobiographical, though this is hard and time-consuming work.
However, I care deeply about virtual spaces and distant lands, and I do read stuff and have my considered opinions. Six years back, in the truly dark times of 2016, my addiction to information and news media of many varieties reached critical mass and I collapsed in on myself. In the time this blog has run I have practiced dipping my toes in, commenting occasionally, largely because while I was not ON twotter, I was still using. Since I quit that mess completely, it has been easier to just get the essentials and move on with my life.
This business in Ukraine is in its third month, though, and I have so many high-concept notions around it, and Russian policy in general, and multipolarity & globalization, the furthered sagas of covid, the further sagas of cryptocurrencies and non-fungible tokens, and this new Chinese autonomous ship class that went from announcement to reality in a year, business news in all its great variety--all these are things I take careful note of, and think about commensurately. So many conflicts! So much progress, and so much backwards thinking and commentary about it from so many quarters, while the real game runs faster and harder and smarter than ever before! I just drooled a tiny bit.
Whatever it is in me that cares about the big picture, about history in the distant past and history carving itself out in blood right now today and where the twain intermix in ferocious, glorious alchemy--I mean, it's an unbelievably exciting time to be alive. All that really happens in life materially, though, is gas prices are up and I have to put away some laundry. So who really cares, really, truly? I shouldn't. But I do. Is the blog better or more useful when I am writing about the complexities of the now that we share virtually, or when I am waxing philosophical and reporting on the mundane intricacies of my own quiet life?
Anyway, sometime in the next series of days I'll try to strike a balance; post something autobiographical, post something about current events, those wicked, heady current events. Past and present. Innerworld and outerworld.
Today, I dunno. Think this is all I got today. Felt good to type it, though.
--JL
Tuesday, September 24, 2019
#215
Pretty quickly I switched to Courier in ten-point. I would still use that for some stuff. I do not like Courier New. I quit using Courier when I began to feel that I had mastered my old typewriter, which I threw in the garbage in a fit of ego-destroying, memory-driven madness as I gruesomely extracted myself from a narcissist. I had stopped using Courier and its bastard before that, but more recently than I might care to admit maybe. Two and a half years ago.
This is really basic font-talk, I'm boring the shit out of myself, and the reason I am writing here instead of in the word document I opened is of course that despite my bravado, I am terrified to begin. Hilarious.
*
Started banging out stories with a purpose at the age of eleven. My fifth-grade teacher, Ms. Bates, made us, called 'em Super Subjects. Just little freewriting exercises. Ole girl knew what she was doing; I was a discipline issue when she took over halfway through the year, and before long mostly all I thought about was how to impress her with my writing. She was fucking tough, see. I sweated over the book reports she assigned and crumpled up I don't know how much good paper getting a paragraph just right.
Get 'em while their ego is as enormous as only a child's can be, before too much self-consciousness has set in but the process is in motion. I actually hungered to read my work in front of the class. Immigrant boy, best writer in the class. Yeah I fucking liked that. I was, too. Ms. Bates didn't talk to anyone about their writing like she talked to me, not even to KdB., who was and remains to this day fifty times smarter than me. An essay I had to write for D.A.R.E. about why I would never do drugs was selected as the best by the program people and I was put up on stage in the auditorium to read it aloud in front of all the fifth-grade classes. That this should have been my first professional success is perhaps a damning mark over my career; I'm stoned right now and also am a fucking alcoholic.
Hell, I knew when I was filling out those D.A.R.E. worksheets that I was putting on an act for these people. I could feel already that I was fucked up. I remember consciously and cynically putting a tremble into my hand when I filled in some bullshit about how I didn't want to drink because blah-blah-blah and I've seen what drink does to my uncle. More on him another day, there's always good stories around a drunk*. I would be stealing nips from the fine tequila my dad had a bottle of in the freezer right after I got home from school within two years of reading that essay in front of a bunch of beaming cops and teachers.
"So far above his grade level!"
lol
Anyway, the problem with writing is it can get out of your hands, become bigger than you, drive you around. When you're a kid it's just something you do, even if it's something you are; it feels more like a choice even though it's really unchaining a drive which, when liberated, will perversely never let you go. No matter what goes wrong, no matter the severity of the ego death or the blindness of drink, you just fucking keep writing. Mostly just to see it burn.
*
So, beginnings are hard, maybe even triggering. That's why I wrote this blog post instead of a single sentence. But it's loosened me up, see? I'm not as nervy as when I sat down. I got a rhythm going and I'm not done with the good good fucking great-ass feeling of punching keys. So I'm gonna try again. Forget all the important work I lost; get hard and go. Writing is Ironborn: what is dead may never die, but rises again, harder and stronger. Words are wind, and everything is built on the wind.**
*
Ready to start again.
--JL
*I cannot help but notice, dear reader, that the most hit-upon posts on FP are usually the ones which rely on what I have called the sordid tonal qualities of cigarettes and alcohol. I see you motherfuckers. Well, so be it; I'm finna bring some drinkin stories out this fall for sure. Maybe even tomorrow.
**profound thanks to George R.R. Martin, who is a greater writer than he is taken for; I am aware that the man has risen high, but I stand by my statement. Like Stephen King, he is so fucking rad that to call him merely a great writer is to mildly insult him. The dudes are writer's writers and reader's writers in a way that will outlast much around us that will soon be deservedly forgotten. Speaking in a literary sense. They are at the center of letters and as universally despised as they are popular and beloved for a host of good, bad, simple, and complex reasons.
Friday, September 13, 2019
#209
Phew. How do I describe it? It is like sex, a dragging, slow fuck with the infinite. As a penetrative member of the species, this is the closest I come to experiencing being fucked in the way that I fuck, if you can dig it; not that the penetrative element is absent from the experience, but that there is something rocking me back in the same way. In this sense it is more like plunging my hands into raw dough and kneading, only the dough carries a live charge that travels up my arms and causes the wild bunch of inexplicable phenomena in my forebrain to ferment and vibrate. To roll into long slow climaxes punctuated by sharper comings--throwing my head back involuntarily and working my jaw as I hammer out something elemental (to me), not even breathing as the words assert themselves (I do not choose them so much as clumsily summon them to do an imperfect job), before the charge, having flared bright, drops and leaves me boneless and giggly in my chair is not uncommon occurrence in the typing life.
Also it is like carrying two suitcases up an infinite hill, and you don't give a fuck about what is in them any more than you want to be walking up a hill, you would rather be living any other kind of life at all, and denied that, you would rather be fucking dead, but something behind you, something so vast it is either God or every devil sprung from every hell ever conceived, propels you forward with not just undeniable power, not just goads of ice and goads of fire, but with Force, and not even Force could tell you what the burden is or signifies or why you have to climb the hill, only that this is the Situation and everything in Creation is subject to the Force and the Situation. So fuck you if you don't like it. So you bend to your work, and you sweat, and it sucks, and you burn it all down yourself later, you don't grieve if by accident you lose it all; what matters is doing it, and it's like sex in that way too, isn't it? No matter how much you might think you might be better off without it, happier, easier in your mind, you find yourself making the right moves to end up laid. No matter how much you play with dropping all your pretenses and living a sober life of calm attention to the moment, eventually, you always get back to work, the insane work you can't say no to.
Put me in a room with a typewriter hooked up to a pistol that tracks my head, rigged to pop me square if I write a full sentence, go over half a page, or wait twenty-four hours.
It won't be too very long. Might shed a tear, but I've led a good life, and ending it with a period would be so poetic there exists no doubt that I'd die smiling. Comes down to it, how much fun it is, to write a sentence--any sentence.
Force and Situation.
*
I said there would be lists, and lists you shall have! Not all at once, though, because I might need the next post to be lower-effort. I really do work very hard at my day vocation and probably will be updating less often than before. Also, I currently have no saved work, not so much as a sentence in word document, so if I want to publish another book anytime soon I have to start from scratch and work pretty steadily, as opposed to before, when I had two books simmering and one getting started pretty good. Some foolish part of me is holding out hope, but I know the score. My hard drive holds no evidence that I'm a writer at all, and the cloud is just as empty.
Anyhow! The length of this particular list may be shocking, even if you're familiar with this blog.
Books Obtained since July the 28th
The Fall of Gondolin by J.R.R. Tolkien
Teach Us to Outgrow Our Madness and An Echo of Heaven by Ōe Kenzaburō
Tropic of Cancer, by Henry Miller
They Can't Kill Us Until They Kill Us by Hanif Abdurraqib
The Gormenghast Novels by Mervyn Peake
Barnaby Rudge by Charles Dickens
Dreamsongs vol. II by George R.R. Martin (already had vol. II)
1984 by George Orwell and Brave New World and Brave New World Revisited by Aldous Huxley (these are recovery purchases; bundled together because you know how these books seem to get gifted right out of your library constantly, willingly or less willingly, for very similar reasons. Or maybe you don't, whatever)
Deliverance by James Dickey
House of Leaves by Mark Z. Danielewski
No Time to Spare by Ursula K. LeGuin
Norwegian Wood and Hard-Boiled Wonderland and the End of the World by Murakami Haruki
Silverwing by Kenneth Oppel (have owned the sequel, Sunwing, for a long time, and used to own the conclusion, Firewing; got rid of it at some point, find it again someday maybe. Sunwing is far and away the best of the three)
The Andromeda Strain by Michael Crichton
The Satanic Verses by Salman Rushdie
The Encyclopedia of Ancient Greece with Carlos Gómez as general editor
A Really Big Lunch by Jim Harrison
The Drawings of Heinrich Kley (200, Dover Press)
The Passion of David Lynch by Martha P. Nochimson
The Wars of the Roses by Alison Weir
The Best American Nonrequired Reading, 2006 edited by Dave Eggers (now I have 2005, 2006, and 2007--the years I spent wholly ensconced in High School)
The Bird Artist by Howard Norman
See Now Then by Jamaica Kincaid
Stranger Things: Darkness on the Edge of Town by Adam Christopher
Freak the Mighty by Rodman Philbrick
The View from Saturday by E.L. Konigsburg
There's a Boy in the Girl's Bathroom by Louis Sachar
and,
Elevation, The Shining, 'Salem's Lot, 11/22/63, Under the Dome, Bazaar of Bad Dreams, Needful Things, The Long Walk, Christine, Everything's Eventual, Firestarter, Thinner, Dreamcatcher, The Tommyknockers, The Outsider, Pet Sematary, Revival, Carrie, Finders Keepers, The Colorado Kid, Misery, Cell, The Girl Who Loved Tom Gordon, and The Running Man, by Stephen King, as well as Black House by Stephen King and Peter Straub, Gwendy's Button Box by Stephen King and Richard Chizmar, and The Cycle of the Werewolf by Stephen King and illustrated by Bernie Wrightson.
See? Big difference between my trying not to buy books and my letting myself do what I wanna do.
*
Did you see how much Stephen King I bought? I checked Bag of Bones out from the library at age eleven, depressed and angry and ready for a fucking adult-ass book. I had no idea who Stephen King was, though the older movie based on Pet Sematary (which I am currently reading) had done some psychic damage to me as a kid. I only knew that the desolate cover, with its man in silhouette facing the ghostly nude woman on the still water, looked adult as all hell and the paperback was thicker than my arm. I propelled myself through somewhat madly, drinking its pain and its nightmares and its gasping loss like they were cool water in the desert.
Got an education from that book. Yes, in many ways, it was exactly my first adult book, setting the course of my life as I very consciously put childish things aside (being able to see the childishness in this act only comes much later, of course, and only if you're lucky). The only book about authorcraft I would tolerate for a long time was Stephen King's On Writing*, and it is high time, as I have mentioned before, that I completed my collection of his work. At one time I felt I had too many of his books and didn't get any new ones for a long long time, stopped reading new stuff, mostly, after he moved to Florida. Fine, things went how they went, but I'm reclaiming certain threads of my life to myself, and his books are crucial to the endeavor, perhaps in some still-unacknowledged way central, essential.
*
Many more lists to come! At least two next post. I have an interesting and nice day planned for my one day off, and the writing in the blog portion of it is up. I am going to take a big rip out of my new bong. Have a blessed day, free of the undead.
--JL
*the list has not exactly bloomed: Strunk and White's guide, accepted based on Stevie's guidance, John Gardner's On Becoming a Novelist, and Italo Calvino's Memos for the Next Millenium.